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Edmund 2022-03-20 09:02:53
Not to mention the late 1950s, how many people dare to shoot like this now! No wonder the film caused a shock in the movie world at the time! The 400 hits in the same year really pales in comparison. Not to mention the modernist stream of consciousness, Resnais and Duras actually juxtaposed the illusion of love with the illusion of Hiroshima, connecting the common pain of the victorious country France and the defeated country Japan, and carried out a very complex philosophy. Sexual speculation...
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Quincy 2022-03-20 09:02:53
#SIFF2014# Rewatch, four and a half stars; it’s just the forerunner of Marionba, from the rupture of time and space to the broken narrative, from the uncertainty of the memory to the self-conviction, the two big-name screenwriters can’t shake Renai’s fixed style; Renai Is the best person to present a stream of consciousness image; I am afraid of forgetting you, I am forgetting you, we do not step into the same river of time, your name is Hiroshima tonight, and my name is...
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Kristina 2022-03-19 09:01:09
I can't watch this film, I might as well YY...
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Kaylie 2022-03-19 09:01:09
In the version restored this year, the French spoken in the film is still suitable for naked viewing. The emotions of the last paragraph were not taken into account. In addition, the boy who was separated by a seat pretended that he had no intention of reaching out to touch his arm. After clearly dodging, he began to stroke the cloth chair with a good texture in the middle again and again, as if he was immersed in the great beginning of the film and could not extricate...
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Era 2022-03-19 09:01:09
Memories make me...
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Andre 2022-03-19 09:01:09
1. The reminiscence of "impossible love", the revelation of the damage that war has brought to people not only physically but also psychologically. 2. Love is a sacrifice. Love is a symbol of forgetting and memory, pain and madness, spirit and desire. The whole film is a tangle of contradictions. 3. In Hiroshima, a city suitable for love, your memories are burning. 4. One day, the past will always be forgotten by me, and so will...
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Evans 2022-03-19 09:01:09
She called him Hiroshima, he called her Naville, they didn't know each other's names. Her soul is overflowing with the pain of war lingering in her body, and behind her every move is a bottomless abyss. Their encounter had nothing to do with love, but a brief and painful oblivion of war and an irreparable past. Everywhere in the world where the war survived, there are such scars left. Literary breath, a sad prose...
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Edmund 2022-03-18 09:01:08
I know this movie is historically significant or something of a New Wave Left Bank masterpiece or something, but it's really not good...
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Amiya 2022-03-17 09:01:09
Only on my own behalf: this is a protracted contrived, just like Zhou Xuan singing the song girl of the end of the world =...
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Wade 2022-03-16 09:01:08
A large number of flashbacks with voice-overs, recalling dreams and forgetting imaginary subconsciousness, the milestone of the transformation of classical Western movies into modern times, the pioneering work of literature and film, the ground-breaking point of the ripples of modernism. Stream of Consciousness Structure, Interlaced Editing of Time and Space, Monologue Narrative Perspective / Psychological Characterization, Psychological Structure of Time and Space, Symbolic and Metaphoric...
Hiroshima Mon Amour Comments
Extended Reading
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Lui: Where are you going? To Nevers?
Lui: No, Paris. I'll never set foot in Nevers again.
Elle: Never?
Lui: Never.
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Lui: Does it mean anything else in French, "Nevers"?
Elle: No, nothing.
Director: Alain Resnais
Language: French,Japanese,English Release date: May 16, 1960