Hiroshima Mon Amour Comments

Jan 2022-03-27 09:01:20

The lens is so...

Rylee 2022-03-27 09:01:20

I haven't slept for two days, and the dark circles under my eyes are about to fall on the bridge of my nose. I thought God couldn't stop me from sleeping, but I turned on this movie. The bed was just a step away, but Renai held me for 90 minutes. At this time, I was not sleepy at all. I was full of melancholy, haunting the strange woman I missed by the strange coast. Damn, damn...

Collin 2022-03-27 09:01:20

Marguerite Duras's script is excellent. She translated the pictures she wanted to see into words and wrote them, and then handed the words to the director and photographer, so that they could be presented to the audience again. Her imagination is very detailed and precise, and she can express the picture she wants very concisely and accurately. So many empty shots that we see in the film, and the documentary-style shots are all clearly mentioned in her script. Therefore, the success of the...

Johnathan 2022-03-27 09:01:20

Before watching this film, it is best to understand the relevant history, otherwise it will be difficult to understand some of the plots. Japan has never lacked works on the theme of atomic bombs, but most of them will be reduced to "screaming films" demonstrating that the Japanese are also victims, but this film co-produced with France is an exception. In Europe during World War II, women who had sex with German soldiers would have their hair cut off, so the heroine's ex-husband was a...

Greyson 2022-03-27 09:01:20

"Hiroshima, it's your name." "Your name is Nevel." Two countries, two place names, the interweaving of love and war. I am deeply impressed by a certain passage of the heroine: Madness, like wisdom, is inexplicable. Once it falls on you, it fills your body and mind. Then you understand it, but when it leaves you , you will no longer...

Savannah 2022-03-24 09:03:35

"Time is difficult to turn back, space is easily broken", these two lyrics are so amazing that they can sum up Renai. I ate the thunder, the desolation, the ruins, the taboos and the unresolved sadness, very beautiful. One way to relieve pain is to create a new one. In the movie, it is hoped to use a new "indecent" to forget the once unforgettable "incoherence", and the result is undoubtedly double the "pain". Both images and narratives are literary, and this is where Renai is...

Francisco 2022-03-24 09:03:35

"Time is difficult to turn back, space is easily broken", these two lyrics are so amazing that they can sum up Renai. I ate the thunder, the desolation, the ruins, the taboos and the unresolved sadness, very beautiful. One way to relieve pain is to create a new one. In the movie, it is hoped to use a new "indecent" to forget the once unforgettable "incoherence", and the result is undoubtedly double the "pain". Both images and narratives are literary, and this is where Renai is...

Jalyn 2022-03-24 09:03:35

90/100, the authored images of Alain Resnais and Duras, achieve the ultimate balance of literary and cinematic. The broken narrative, the ambiguous time and space, and the magnification of the deep spirit create this infinite beauty. //09.21 #2019Shanyi Women's Film Festival# Rewatching on the big screen is still touched by the blurred atmosphere and vague ravings of the film. Extremely literary texts are indeed a challenge, but Aaron Resnais' series of urban gazes give the film a spirit: it is...

Arely 2022-03-24 09:03:35

90/100, the authored images of Alain Resnais and Duras, achieve the ultimate balance of literary and cinematic. The broken narrative, the ambiguous time and space, and the magnification of the deep spirit create this infinite beauty. //09.21 #2019Shanyi Women's Film Festival# Rewatching on the big screen is still touched by the blurred atmosphere and vague ravings of the film. Extremely literary texts are indeed a challenge, but Aaron Resnais' series of urban gazes give the film a spirit: it is...

Cletus 2022-03-23 09:03:15

Eiji Okada really has the taste of Liang Jiahui, and the Asian male protagonists in Mr. Du's films seem to be like...