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Marlon 2022-03-28 09:01:12
"Snippets of the documentary are intertwined with memories, a woman pouring out to a strange man she met, two peoples destroyed by war, the war ended in Hiroshima, a sunny day in Paris could not save her trauma, she came to Hiroshima as an actress , saw the pain on the other side of the war, the body and not the mind. She was lost, and she seemed to never forget the blood from her gradually cold body and fingertips, maybe it was just about the pain in the...
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Rowena 2022-03-28 09:01:12
Ah, it's Duras again, looking for books to read again. The war scenes are still very catchy (remember that the heroine also has a photo album). In layman's terms that is. . An extremely literary version of Sophie's choice....
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Dante 2022-03-28 09:01:12
Emmanuelle Riva's French sounds great! Pronunciation is so clear! Yes, this film ended up being a French teaching film for...
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Kayleigh 2022-03-28 09:01:12
Duras's heroines always have the dual temperament of female independence and loss of self for love, whether it is the lover's age gap mixed with sinking, or the double trauma of the war and first love mixed with passion. The influence of the opening documentary is coupled with the repeated murmur of literary language. After that, it runs all the way to the stream of consciousness, disregarding the depiction of social scenes, and focusing on the dialogue and memories of the two protagonists....
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Dedrick 2022-03-28 09:01:12
The deep intertextuality between love and history is always hidden in parts (fragments), and the perspective of the victim facing truth and false debate and moral questioning is born out of pure regional literary tricks, exposing the erased boundary between imagination and reality (with actual voices). Breaking), the truth of love against the current flow is actually a confirmation of the continuation of life. Under the three-way wrestling, it cannot be integrated into any one of the water and...
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Jadon 2022-03-28 09:01:12
Falling into the dilemma of going to stay - male: I would rather you die in Neville; female: I would rather do the same, but unfortunately I did not die. Then the two of them sat on the bench, with an old lady in the middle, and it was not difficult to understand the meaning here. But the selection of the old lady is quite strange and cute, and she even spoke at the end of the live props, ahahaha! I admit that the thinking diverges too much, but the pain, reflection and entanglement throughout...
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Cathrine 2022-03-28 09:01:12
Duras's love always takes exotic flavors as appetizers, which is very interesting, but always takes away the taste. In contrast, Marienbad is more rigid and pure, showing how to weave a nightmare out of the most everyday materials. (The theme song of this movie is too...
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Pete 2022-03-28 09:01:12
I don't like it very much, but it's too charming. When I was rewatching it in the movie theater, I actually fell asleep listening to the narration, and only woke up at the end, but the later Marion Bard was very...
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Arturo 2022-03-28 09:01:12
You are not cowardly, you are brave in a hundred places, and there is only one cowardly, that is...
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Abby 2022-03-27 09:01:20
The original author, Duras, also makes movies, so her novels often have a strong sense of camera, emphasizing space, and narrative time is broken, escaped, and weakened. So for a while I have been thinking about whether avant-garde films should be made this way in the future. It was later discovered that it was not. Duras and the director would do this because they had to face the very real problem of the rupture of time. War and nuclear explosion have shattered the continuity of time. How...
Hiroshima Mon Amour Comments
Extended Reading
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Lui: Where are you going? To Nevers?
Lui: No, Paris. I'll never set foot in Nevers again.
Elle: Never?
Lui: Never.
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Lui: Does it mean anything else in French, "Nevers"?
Elle: No, nothing.
Director: Alain Resnais
Language: French,Japanese,English Release date: May 16, 1960