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Charity 2023-09-15 15:19:38
The black brother's fishing line is rolled up, and the character's fate is doomed. Joan Leslie and Ida Lupino who will choose you, at a glance. After this film, there will be no unsatisfactory Bogart. Black and white photography is also...
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Keith 2023-09-14 10:51:37
Hollywood in the 1940s. Directed by Raoul Walsh and starred by Humphrey Bogart and written by John Huston. Warner Bros. Gangster movie. A turning point in Humphrey Bogart's acting career, having previously played more villainous supporting roles. No...
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Okey 2023-09-07 16:40:57
One of the best releases of CC2021. From then on, Bogart began to create a series of tough and tender characters. His characters are often so self-destructive and so charming that the audience always has a heart. That puppy character is brilliantly designed, a key plot driver, and a metaphor for Bogart's fate. Walls later remade the film into a Western, which was also included in this...
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Kiley 2023-08-22 14:39:17
4.5 Too many details are really disturbing, such as Bogart's desire projection and manipulation of innocent disabled girls and his simple nostalgia connection, smart and beautiful Ada Lupino was repeatedly violently treated by men, so I reposted Bogart and the two female characters Strange reversal of stereotypes, dogs that bring bad luck (the dog's acting is really the best in the show)...completely destroyed by the last mountain cliff...
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Queenie 2023-08-19 20:00:34
4.5. What's more heart-wrenching than an emotionally frustrated and cornered Humphrey...
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Albert 2023-08-13 11:17:06
In this one, I really feel Bogart's fascination; the robbery is too simple, but I think the emotional line is brilliant; although Marie is brilliant, the transformation of Velma is really unexpected and dramatic; the puppy...
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Shannon 2023-07-30 00:59:26
Score: 65 I didn't expect to see a 1941 film today (I can't imagine that our country was still in the War of Resistance Against Japanese Aggression, the people were in dire straits...), the picture was 4:3 ratio, shot in black and white film (1 channel, watch The recording level was normal at the time.). Although the narrative can go straight to the point, it still feels...
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Elza 2023-07-28 22:52:47
Bogart's hairstyle is good, the modern version is misplaced Chen Shimei, if you fix your legs, you won't want you anymore (the characters in the colored version look old, and the black and white film prolongs the actor's career is not...
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Linnea 2023-07-07 07:19:30
@environmental media; ecologies of film...
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Tanya 2023-06-24 07:46:27
Heroes are twilight, but there are women and dogs who die...
High Sierra Comments
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Jacklyn 2022-10-15 21:19:59
free free
This film is attributed to the early days of noir movies, and it is also attributed to the end of the 30-40S gangster movies; there is absolutely nothing like the killing of the previous gangster movies - to stand out - earth-shaking, and Roy played by Bogart has reported "the last vote" from the...
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Beulah 2022-10-15 16:24:17
Bogart always has a pussy face
1. The screenwriter turned out to be Houston, Bogart Iron Triangle.
2. 1 stack - 2 stack push (stack + push) - 3 stack: building - capital - governor's office - the back of the character sitting, classic and clean.
3. Desperately looking for resources looks cool. This is the same principle as what...
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Big Mac: Times have sure changed.
Roy Earle: Yeah, ain't they? You know, Mac, sometimes I feel like I don't know what it's all about anymore.
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'Red': I almost forgot, Mendoza brought us a present and Roy, I guess you're the engineer. Here.
[Hands Roy the machine-gun case]
Louis Mendoza: Big Mac gave me the machine gun. You know how to work it? Red doesn't, and neither does Babe.
'Red': That's a good one , that is.
Louis Mendoza: What's so funny?
'Red': [Sarcastically says] Does he know how to work it?
Roy Earle: Yeah. Say, you know that gun reminds me of one time, 9 or 10yrs ago. We was getting ready to do a job back in Iowa... when one of the guys got the shakes. Pretty soon we found out that this guy with the shakes had talked too much... and a bunch of coppers were waiting for us at the bank. But we don't say nothing. Lefty Jackson goes out and gets his gun. He comes back and sits down and holds it across his knee.
[Roy positions himself in front of Mendoza and lays on top of the machine gun case looking straight at Mendoza without blinking]
Roy Earle: The guy with shakes is sitting right across the room from him.
[Points at Mendoza]
Roy Earle: Pretty soon Lefty just touched the trigger a little... and the gun went
[taps the case 3 times]
Roy Earle: like that. The rat fell out of the chair dead and we drove off and left him there. Yeah... the gun went
[taps the case 3 times again]
Louis Mendoza: [Everyone just looks at Mendoza, who is nervous and sweating] Well, I better be getting back. I have to go on duty at 8:30.
Roy Earle: What's your stint? You stick right through the whole job don't you?
Louis Mendoza: Oh sure, I stand behind the desk and act like I'm scared. When you fellows get through, I telephone the police.
Roy Earle: [as Roy leaves the cabin, he says] We don't want no slip-ups Mendoza.
'Red': Boys and girls, I got the idea that our boyfriend here is no cream puff. How did you like the little bedtime story about the gun that went
[Taps the case 3 times]
'Red': Did you get the idea?
Louis Mendoza: [very scared] Do you suppose he meant it that way?
Marie Garson: Try talking and find out.
