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Akeem 2022-03-26 09:01:09
The first hour of indoor play was wonderful, and the scene was very tight. Through the investigation process, take the audience to visit hell, like a sequel to "Wild Dog". At the end of the film, the scene in which the rich businessman and the kidnapper are mirror images of each other is very good. The duality is opposite, but they are one, class, misunderstanding, and no solution. (Compared to the last hope of "Wild Dog", this one is much...
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Everardo 2022-03-26 09:01:09
After watching it, I couldn't extricate myself from trembling for a long time. A near-perfect crime film with meticulous camera language and compositional positioning. There is a stark contrast between the rich area of heaven and the hell area where drug addicts live. The hatred between classes leads to the kidnapping. At the end, Yamazaki Nu's crazy performance seems to be a wailing from...
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Gillian 2022-03-26 09:01:09
After watching it, I couldn't extricate myself from trembling for a long time. A near-perfect crime film with meticulous camera language and compositional positioning. There is a stark contrast between the rich area of heaven and the hell area where drug addicts live. The hatred between classes leads to the kidnapping. At the end, Yamazaki Nu's crazy performance seems to be a wailing from...
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Cade 2022-03-26 09:01:09
[Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize...
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Antonia 2022-03-26 09:01:09
[Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize...
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Madalyn 2022-03-26 09:01:09
[Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize...
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Angel 2022-03-25 09:01:14
After watching it, I couldn't extricate myself from trembling for a long time. A near-perfect crime film with meticulous camera language and compositional positioning. There is a stark contrast between the rich area of heaven and the hell area where drug addicts live. The hatred between classes leads to the kidnapping. At the end, Yamazaki Nu's crazy performance seems to be a wailing from...
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Abel 2022-03-24 09:02:51
[China Film Archive Kurosawa Akira Film Festival] 4K restoration version. In the first half of "Kingdom of Heaven", the concentrated indoor scene with only one scene is extraordinary. In the second half of "Hell", multi-angle investigation scenes are intertwined. The focus was gradually shifted from Toshiro Mifune to the group play. The crime portrayal is as detailed as a textbook. A film addresses issues such as personal, social, interests, life, and even class antagonism and the gap between...
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Ethel 2022-03-24 09:02:51
[China Film Archive Kurosawa Akira Film Festival] 4K restoration version. In the first half of "Kingdom of Heaven", the concentrated indoor scene with only one scene is extraordinary. In the second half of "Hell", multi-angle investigation scenes are intertwined. The focus was gradually shifted from Toshiro Mifune to the group play. The crime portrayal is as detailed as a textbook. A film addresses issues such as personal, social, interests, life, and even class antagonism and the gap between...
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Destin 2022-03-24 09:02:51
Short-sighted sales targets, unsightly hilltop mansions, seaside villas with corpses, stalkers in alleys, media layout, fishing and law enforcement... Personal moral struggles are very similar to those of Japanese society in the...
High and Low Comments
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Tyreek 2022-01-09 08:01:17
Wonderful in all angles and all directions
This movie is so interesting, whether it is the technique of the movie or the discussion of the thinking derived from the story, it is full of wit. Count down a few interesting points scatteredly, as a record of the movie.
1. Akira Kurosawa's movies are completely different from Ozu Yasujiro. Ozu's...
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Jany 2022-01-09 08:01:17
The death of aspiring youth
In his theological theory, Luther portrayed God as an almighty man. People are not more likely to be saved by God because of their good deeds. People are saved by believing in God and then saved by grace, but God bestows grace entirely on his own will. This kind of almighty God gives people great...
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Kawanishi - Gondo's Secretary: I know how much this money means to you, but a human life means more.
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Kingo Gondo: That's enough! You're not paid to think!
