-
Marcus 2022-03-28 09:01:13
In fact, the overall level is not even three stars. After you sang and I came on stage, it was the ignorant masses who suffered. It was an old topic, and I didn’t say anything new. If you are entangled in a single role, you may not know it. It seems to be fairly smooth, and Baden's performance is also passable, barely 3...
-
Novella 2022-03-28 09:01:13
The second half was slightly better, overall slow and boring. Uncle Baden still performed well, but in this Goya-themed story, Goya is a soy sauce, which is too far-fetched. ....
-
Antonette 2022-03-28 09:01:13
After searching for a long time, I finally know the name of this film. I remember the scenes in it are too...
-
Michele 2022-03-28 09:01:13
After being reminded, I noticed that Ghosts is plural, and the spirits of Goya are actually the souls written by Goya. At the end of the film, I realize that this is not a biographical film of Goya. Criticizing the hypocrisy of the church is the main theme, but the whole is still too...
-
Gerda 2022-03-28 09:01:13
A movie without a main line. And I don't know why the title is called...
-
Jeanette 2022-03-28 09:01:13
Painful tears TT my poor Portman spent tears acridine medieval is so abominable! ! ! ! !...
-
Makayla 2022-03-28 09:01:13
The title of the film is a bit strange. Does the spirit of Goya refer to his painting or the girl in the painting? In short, it is a bit far-fetched to use Goya to string up this human comedy or this piece of history. ps, why is the revolution so similar no matter what time and space it takes place in? . ....
-
Ellen 2022-03-28 09:01:13
Lorenzo stood in the camp of cannibalism three times (the rape of Ines was to eat humanity), but was overthrown twice by the people he ate (the heroine's father and the revolutionaries), only after being eaten by him, the emotion still remains sustain him. For Ines, finding the child and taking her to meet her father was the happiest moment, and so came the final, most ironic moment. Opposite roles in history, but only because of emotional involvement, fate is really...
-
Yasmin 2022-03-28 09:01:13
The part about religion is fascinating, it's just that grand but rotten. But even from the perspective of Goya, it is impossible for someone who painted such a powerful work to be so cowardly and mediocre. Portman is a much better psychopath than Keira Knightley. There is a fire in the dark night, and the end credits are...
-
Idell 2022-03-27 09:01:21
After reading it, I realized that the point is not Goya, but the Ghosts under Goya's brush. Religious persecution, wars, trials, executions... This world hasn't gotten better, it's darker and more chaotic than it used to be. Whether it is God or revolution, we must always divide the enemy from ourselves, and cleanse the dissidents has always been a top priority. Javier Bardem still does a great...
Goya's Ghosts Comments
-
Inés: [model pointing at defaced portrait] Why doesn't that painting have a face?
Goya: Because he is a ghost.
Inés: No, he is not.
Goya: Have you ever seen a ghost?
Inés: No. But I have seen a witch.
Goya: Oh, did you?
Inés: Yes, but she had a face.
Goya: So what did she look like?
Inés: She was... all bent and creepy, and she...
[whispers:]
Inés: stank.
[makes disparaging sound]
Goya: That's interesting, because the witch that I know, she's... she's young, very lovely, and she smells of jasmine.
Inés: [smiles] She does?
Goya: She does. And I'm working on her portrait... right now.
Inés: [smiles as it dawns on her what he means] I'm no witch!
Goya: [chuckles] How do you know?
-
Tomás Bilbatúa: [worried father, to his young daughter] You have received a summons from the Holy Office.
[she sits down]
Tomás Bilbatúa: Do you have any idea what it might be about?
Inés: No...
Tomás Bilbatúa: Where did you go with your brothers last night?
Inés: The tavern.
[shakes her head]
Tomás Bilbatúa: Think. Did you say something sacrilegious?
Inés: [shakes her head] No.
Tomás Bilbatúa: [to his two sons] Was there an incident or something they could hold against her?
Álvaro Bilbatúa: She kissed the feet of a dwarf.
[Inés sticks her tongue out at him]
Tomás Bilbatúa: [to his daughter] You did?
Álvaro Bilbatúa: She did.
[his mother scoffs]
Inés: Everyone did.
Ángel Bilbatúa: You know... they can summon her just to... testify against someone else.
María Isabel Bilbatúa: [hoarsely] Someone else?
Inés: Is there someone you know they might be interested in?
Inés: I don't know.
[shakes her head]
Inés: No.