Face/Off Comments

  • Melisa 2022-09-28 10:02:00

    At the beginning, the plane bombed, the yacht was bombed at the end, and there were several wonderful Wu's gunfight scenes in the middle. Pigeons, churches, sunglasses, the familiar John Woo. I watched it many years ago, and it's still cool to rewatch it this time. Apart from the swaying of male hormones, the text of the film is much better than some of Woo's Hong Kong films. Face-changing, identities and roles swapped, scars on the chest, and the adopted child at the end, after a lot of twists...

  • Kayleigh 2022-08-19 13:49:07

    You can change your face, how about your...

  • Briana 2022-04-24 07:01:02

    It is thrilling, exciting and exciting, and there is no urine point in the whole process! It's best not to try games like changing faces, changing identities and changing positions. Whenever I see Cage's bitter face, I am overjoyed. Woo Yusen's violent aesthetics + Hong Kong-style shootout elements, which are injected with a deeper core, such as the sense of belonging and identity of identity and the discussion of the good and evil of human nature. The most commendable thing is that the two...

  • Deven 2022-04-24 07:01:02

    Fortunately, 2B Wang Jiale reminded me to avoid it and did not dare to watch it. Otherwise, I would have to classify it as a horror movie. . Overall the story is pretty good. Cage is handsome in...

  • Adelle 2022-04-24 07:01:02

    The first time I heard about this movie was when I watched Slam Dunk magazine in high school, and Tony Parker said his favorite movie was Change Face. Yesterday the Spurs' No. 9 jersey was retired, and today is my second and possibly last time watching this movie. Looking at it now, of course, I think Woo is still too unrestrained in his styling, and the identity game of mirror image destiny is not profound. However, the evil and charming Travolta, the male god-like Cage, John Woo's white dove,...

  • Elouise 2022-04-24 07:01:02

    The perfect combination of Woo Yusen and Hollywood style, the "face-changing" that Chinese people are accustomed to play under modern technology is truly wonderful. Travolta's impeccable performance as an actor has captured me ever...

  • Sydnie 2022-04-24 07:01:02

    Just like Wong Kar Wai’s Blueberry Night and Chongqing Forest, foreign ones can never surpass the prototype. After all, factors such as Chinese and foreign cultural environments are very different, so it is awkward to look at the version that was moved abroad. I think Westerners are far less than us. Infatuation, it's not that...

  • D'angelo 2022-04-24 07:01:02

    At the beginning, the police ride on the merry-go-round with their son, and the brutal killing begins, accompanied by enchanting...

  • Hope 2022-04-24 07:01:02

    This movie is all about the acting skills of the two protagonists. The sense of despair after learning that all the information that can prove their identities has been destroyed and then locked up for 100 years is terrible. Because it is a Chinese director, I often hope to be better. It seems that Nicholas's protagonist's halo is unscathed in the first battle of being robbed. The only thing I don't like is that this so-called face-changing plan is too far-fetched! !...

  • Gerson 2022-04-24 07:01:02

    Woo Yusen is still pretty good. Face-changing has always been the clue to the plot and also affects people's hearts. The ending is a happy ending. The happiest thing is that although Sean lost his son, he got another gift that seemed to be a highlight of the...

Extended Reading

Face/Off quotes

  • [Troy and Archer see each other for the first time with each other's faces]

    Castor Troy: [grins] OOOEEEE, you're good lookin'! You're hot!

    [cocks his head]

    Castor Troy: It's like looking in a mirror, only not.

    Sean Archer: Troy?

    Castor Troy: Now that is between us. OK?

    Sean Archer: But you were, were, uh...

    Castor Troy: In a coma? Nothing like having your face cut off to disturb your sleep! Read the newspaper lately?

    [shows him a newspaper article headlined "Deadly Inferno at Walsh Institute"]

    Sean Archer: You killed them?

    Castor Troy: Yeah well, beats paying the bill, huh? I mean, come on, uh, if a face lift costs five grand...

    [shows Archer's wedding ring on his hand]

    Castor Troy: ... SEE ANYTHING YOU LIKE?

    [Cut to a shot of Miller, Dr. Walsh, and Tito, all bound and gagged, being doused with gasoline]

    Sean Archer: [feeling a lump forming in his throat] Tito!

    [In flashback, a hand drops a lit cigarette in a puddle of gasoline that quickly spreads towards the captives]

    Castor Troy: I torched all the evidence that proves you're you, okay? So, wow! Looks like you're going to be in here for THE NEXT HUNDRED YEARS! Now, I have got to go. I've got a government job to abuse and a lonely wife to fuck! Whoops did I just say that? I'm sorry... make love to! God, I miss that face!

    Sean Archer: [throws his hands around Castor's neck and tries to strangle him] DIIIIIIE! DIIIIIIIIIIIIIIIIIIIIIIIIE!

  • Sean Archer: [as Castor Troy] This is between us. Leave them out of it.

    Castor Troy: [as Sean Archer] No. You should have left them out of it. Your son was an accident. I wanted to kill you. But, you took it too personally. Why couldn't you just kill yourself or let it go?

    Sean Archer: [as Castor Troy] No father could.

    Castor Troy: [as Sean Archer] No brother could either.

    Sasha Hassler: [coming in] Neither could a sister.