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Eugenia 2022-03-27 09:01:05
"I want to thank you (Lieutenant Colonel Princen), tell me, you can do whatever you want", "As long as you (the president) have a little time", "Well, what?", "We took you from there Just came out, a lot of people died, I want to ask you what do you think this is for?", "Okay, I want to thank them, the country appreciates their sacrifice. (Silence for a moment...) Uh, listen, I 2 It's on TV in half a...
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Osbaldo 2022-03-27 09:01:05
Fun black punk B-movie. The creative design is very good, but after reading it, I can't remember anything other than these creative designs. The Duke's Roadster The President's Middle Finger The Bridge Covered With Mines The Zombie's Hiding in the Dark Criminals That's All Classic...
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Demarco 2022-03-27 09:01:05
The rhythm is too slow, deliberately expressing the landscape of abandoned New York and the ruins of airplanes. There is also the bridge section of "The Good and the Bad at...
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Maybelle 2022-03-27 09:01:05
The setting of the story is interesting, turning New York into a big prison, and Carpenter's signature soundtrack meets the roughness of the...
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Darron 2022-03-26 09:01:04
Use the structure of horror films to optimize the tension of action films. Although there are limitations in details, rhythm, and hardware, there are many pioneering ideas in structure, techniques, and eclectic setting thinking. Train to Busan 2 is actually closer to this series. It is an upgraded version of the idea, but it lacks the white space and tranquility of this one. PS Van Cleef's...
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Aaliyah 2022-03-26 09:01:04
Is 1985 very early? That was enough time to make a pretty awesome movie, and it was. And this film, 25 years later, is rather...
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Dahlia 2022-03-26 09:01:04
It is still the familiar Carpenter style, where the protagonist who is full of fear of losing his freedom fights in a man-made lonely space that cannot escape, and then maximizes the claustrophobic space fear, so it is said that the air force hero played by Russell is constantly being attacked. After telling "Aren't you already dead?", you still have to work hard to find your freedom. The space of this film is as impressive as other classics such as the research station and police station built...
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Marques 2022-03-26 09:01:04
The background setting is a bit interesting, the problem is that the plot is too boring and full of loopholes. . The soundtrack is...
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Orie 2022-03-26 09:01:04
Can it be any more compact? ....
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Edison 2022-03-26 09:01:04
Carpenter's own soundtrack is so...
Escape from New York Comments
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Kole 2022-02-07 14:09:14
Afterthought
After watching the movie, I feel that it is such a small cost, and the special effects naturally cannot be too demanding. It is already very good to be able to create such a dark and illusory city. Carpenter's own soundtrack is in line with the weird keynote of the film, and should be of the...
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Montana 2022-02-07 14:09:14
Seeing the end, it suddenly dawned on me that this is an anti-war movie
The title of a hero is in exchange for his life. People who have truly been heroes may never want to have a second time in their lives.
At that time, the Vietnam War had a great impact on American soldiers. After the war, the soldiers came back lingering, their comrades-in-arms died....
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Cabbie: Brain? Brain, I brought somebody to see you.
Snake Plissken: [recognizes Brain] Harold Helman...
Brain: Snake?
Maggie: [curious] Harold?
Snake Plissken: How you been, Harold? It's been a long time.
Maggie: You never told me you knew Snake Plissken, Brain.
Cabbie: Isn't that great? Hey, Brain, I could use some gas if you could spare some.
Snake Plissken: I'm glad you remember me. Yeah, a man should remember his past. Kansas City, four years ago, you ran out on me... You left me sittin' there.
Brain: You were late.
Snake Plissken: [bitterly] We were buddies, Harold. You, me, and Fresno Bob. You know what they did to Bob, huh?
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The Duke: [Snake's been captured after getting shot in the leg with an arrow] Who are you?
[Snake says nothing, staring defiantly; the Duke grabs the arrow in Snake's leg and twists it]
The Duke: I said, WHO ARE YOU?
[Snake... in obvious agony, still says nothing]
Brain: Snake Plissken, Duke... the Man sent him in. Somethin's goin' down, we need him...
The Duke: [releases the arrow] Snake Plissken... I've heard of you.
[strikes Snake with a tire iron, knocking him unconscious]
The Duke: I heard you were dead!