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Delmer 2022-03-23 09:01:07
very nice! There are tunes from previous European killer films, but overall it is already very entertaining. The plot is simple and a little bit bloody, but the whole film is very dazzling, from the director to the actor without exception. The highlight of this movie is not the story at all. Those who can't see the aesthetics of cinematic or unprincipledly resist dazzling skills should not like this movie, the type of love or hate. Cannes judges are no better than...
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Guy 2022-03-23 09:01:07
How can it be so lonely, even love is so lonely! ! !...
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Lou 2022-03-23 09:01:07
A murderous symphony of light and shadow. Teach you how to become a violent and murderous man from being natural for a second. The theme couldn't be more obvious. Have you seen it? This is our Scorpio. You really can't afford it. [Where is the OST!...
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Jaeden 2022-03-23 09:01:07
The movie itself is three stars, and the high commander adds one star. This kind of plot has to be lowered when it comes to love. Think about the "Old Nowhere" which has a similar theme. The lens language is superb, with several light composition, and the lens movement is very bright. The soundtrack is wonderful, but it's a pity that it's ubiquitous. PS: The director absolutely loves Commander Gao and takes him so...
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Durward 2022-03-23 09:01:07
The warmth of the boiled water in the first half and the simple and rude blood in the second half constituted a stark contrast, but it was all over before letting people relax. The most beautiful thing is the director's grasp of light, shadow and rhythm. The gentle kiss in the elevator room puts the film on a veil of warmth and affection. This dissolves my usual commentary on action crime...
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Gregorio 2022-03-23 09:01:07
90/100, such a mediocre Hollywood script can be presented by NWR with his consistent externalized image, composed of cold shaping light, anti-type car chase scheduling, and upgraded lens action scenes. Out of the rudiment of his supreme style, blood and violence are the finishing touches. Among them, the elevator section is even more amazing. The light changes, music and upgrades at that moment, I wonder who would not be moved by...
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Danielle 2022-03-22 09:01:05
1. The prototype of the play comes from [Tiger Mouth Extraction], which is a resurrection of American B-level and black films in the 7/80s, and a new genre variation. 2. The Nordic polished version of Los Angeles, a large number of wide-angle, sports long mirrors and upgraded mirrors. 3. The temperament of the high commander is highly compatible with the performance, and the cold-faced lone hero is quite existential, like the unknown guest of Dongmu. 4. Admired the elevator scene, kissing in...
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Austin 2022-03-22 09:01:05
The third brush five years later, I have been reluctant to look at it for so many years. Just like the girl whom she admired when she was young, she was gentle and charming, she couldn't forget her love but she couldn't. Hit a three-star like a puff, and pick up some problems abruptly, as if you have regrets and shortcomings before you can leave some thoughts about it. This is indeed a poem-like noir film. It has the best visual appeal since NWR's career as a director. The light and shadow use...
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Monserrat 2022-03-22 09:01:05
Using a lot of in-vehicle cameras to shoot car chase scenes is not only for the reverse type, but also for character shaping; as for the part of love and love, the front and back shots in the car are used to show the interaction between the two. This method of filming, along with the slow motion in the fight, is showing a new concept of people and vehicles (things): focusing on intersubjectivity in genre action movies. But at the same time, it also lacks the presentation of the psychological...
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Rosemary 2021-10-20 18:59:07
In addition to the ending, it is another Noir classic! Characterization, use of light, lines, lens language, and soundtrack completely reproduce the peak of "Blade Runner" in the 1980s. The most amazing work of...
Drive Comments
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Shannon: You two know each other?
Driver: [smiling while walking by] Don't.
Shannon: [excited] Oh, look at that!
Irene: We're neighbors.
Shannon: Neighbors? Very good. Well, we'll try to be neighborly, too.
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Shannon: [about Driver] You know, he walked into my shop here about five or six years ago, right out of the blue asking for a job. So I put him to the test to see what he could do. The kid's amazing.
Irene: Yeah.
Shannon: So I hired him on the spot. Boom.
[snaps fingers]
Shannon: At about half the wages I normally pay. He didn't blink an eye.
[to Driver]
Shannon: Hey kid, come over here for a second, will you?
[back to Irene]
Shannon: And I have been exploiting him ever since.
[Shannon laughs]
Shannon: Don't tell him.