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Jasen 2022-03-27 09:01:04
【you know why you couldn't figure this one? because the guy you were looking for was too close, He was right across the desk from you】【Closer than that】【I love you...
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Jose 2022-03-27 09:01:04
The classic is not just in the film itself. In the same type of movies, it ignores the incomparable background of the times, making the imitation of latecomers insignificant. No wonder it can only be a...
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Renee 2022-03-27 09:01:04
1. The impeccable script caused me to repeatedly pull the film; 2. It was still the script, and the lines were talented; 3. The flashback narrative, the dark scenes and the shadows that hit the male protagonist many times made the whole film nightmarish. hallucinations. 4.BILL WILDER used the polyphony of light and shadow and lines in the murder film to make the lustful smell; 5.The heroine is so beautiful! No wonder the male protagonist is also...
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Amelia 2022-03-27 09:01:04
The plot of the whole film is not sloppy at all, and it simply resolutely describes a murder incident so that people can hold their breath. The flashback structure of the flashback is very classic and can be used as a model. Wilder is also excellent in the control of details, such as the character reversal of the cigarette, the real face of the femme fatale, and the killing techniques....
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Toney 2022-03-27 09:01:04
Since double indemnity, the two most important words in movie are "Billy...
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Raphael 2022-03-27 09:01:04
As a noir film that has influenced later generations, the twists and turns of the story are full of strong drama, rooting the suspense into the audience's brain, leaving people without a moment of peace. At the same time, the soundtrack and pictures are perfectly controlled, and the characters' feelings and inner activities are completely transferred to the audience, which makes people really feel a crime that is on the verge of being out of control but is under control and the subsequent...
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Briana 2022-03-27 09:01:04
Billy Wilder's third film is absolutely flawless, perfect! The sculpting of the lines exceeds five stars, and those line writers who only use Jesus Christ, motherfucker to exclaim, can go to the corner to draw circles. The shadow of the blinds and the group of shots without the sound of footsteps, am I relatively unfamiliar or is it just...
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Karlie 2022-03-27 09:01:04
At first glance, it was a perfect murder plan, but through the narrative process of the characters' inner monologue, it focuses more on showing the ups and downs of emotional thoughts, rather than just presenting a criminal case. The murderer is clearly pointed out at the beginning, and the audience is naturally concerned about how and why the suspense is. This is also an attractive method, and it is inevitable to think of some Hitchcock films. PS. I learned another way to light a match: you...
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Maybelle 2022-03-26 09:01:04
The whole film is organized linearly with the male protagonist's confession, the heroine's shrewd calculation, distrust of people and inability to love are impressive, and the passage where the male lead shoots her is sad. The film is full of suspense and unique characters. The insurance salesman, claims specialist and heroine are all unforgettable. This film has been reviewed in detail, so I won't say...
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Tamia 2022-03-26 09:01:04
Looks great! Used every minute! The story is hard, the camera is great, and it always feels distressed and hated. The conspiracy design is powerful, and I can't pick it up today. Listening to the main melody and the musical version of Victor/Victoria's Paris by Night seems to be == just finished watching the male supporting "Little Caesar" last month. Mafia will watch him play a reasoning madman this month, hahaha, and I don't know why the more The more you look at the male protagonist, the...
Double Indemnity Comments
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Barton Keyes: Eh? There it is, Walter. It's beginning to come apart at the seams already. Murder's never perfect. Always comes apart sooner or later, and when two people are involved it's usually sooner. Now we know the Dietrichson dame is in it *and* a somebody else. Pretty soon, we'll know who that somebody else is. He'll show. He's got to show. Sometime, somewhere, they've got to meet. Their emotions are all kicked up. Whether it's love or hate doesn't matter; they can't keep away from each other. They may think it's twice as safe because there's two of them,
Barton Keyes: [chuckles]
Barton Keyes: but it isn't twice as safe. It's ten times twice as dangerous. They've committed a *murder*! And it's not like taking a trolley ride together where they can get off at different stops. They're stuck with each other and they got to ride all the way to the end of the line and it's a one-way trip and the last stop is the cemetery. She put in her claim... I'm gonna throw it right back at her.
[Walter hands Keyes a light]
Barton Keyes: Let her sue us if she dares. I'll be ready for her *and* that somebody else. They'll be digging their own graves.
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Walter Neff: Dear Keyes, I suppose you'll call this a confession when you hear it... Well, I don't like the word confession, I just want to set you right about something you couldn't see because it was smack up against your nose. You think you're such a hot potato as a claims manager; such a wolf on a phony claim... Maybe y'are. But let's take a look at that Dietrichson claim... accident and double indemnity. You were pretty good in there for awhile Keyes... you said it wasn't an accident, check. You said it wasn't suicide, check. You said it was murder... check.