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Hunter 2022-04-22 07:01:49
Where is Howard? Wenders' road and soundtrack always kills me easily. . ....
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Mercedes 2022-04-21 09:03:19
Postmodernism in Paris,...
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Karson 2022-04-21 09:03:19
FILMO2012 Photography...
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Clemens 2022-04-21 09:03:19
Too skinny, one or two will only...
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Mariano 2022-04-21 09:03:19
A tasteful film, I like the splendor of reflection. Teacher Xu: What I have slept with is...
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Ariane 2022-04-21 09:03:19
Warm version of Paris, Texas, this town is very Edward...
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Lacy 2022-04-21 09:03:19
Rock-style play, folk-style close. I want to relive the asylum from the past feelings, the relatives are open, but the lover is not. The runaway and dependence of the family, the search and questioning of the road, the retro story of leather boots. There is no ambition to tell the story, and the mind is devoted to the ritual placement of characters and emotions: smashing furniture downstairs, sitting on a sofa in the street all night, playing electric guitar on the sofa in the street, etc....
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Chadrick 2022-04-21 09:03:19
Wenders is very good at this kind of evasive personality rummaging for shelter. It's just that the rhythm of this one is too slow, the plot is a little mediocre, and there is not much of a...
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Giuseppe 2022-04-21 09:03:19
Another interpretation of Wenders' loneliness after Paris, Texas, finds the best form of finding a spiritual home in the theme of the West. Howard's search, from finding his mother to finding his son, from blindly following the world to facing inner loneliness, is more like a pilgrimage on the long road to the west. The temptation of the movie set to the casino metaphor is like a trap in life, but can everyone see the sunrise through the clouds? benevolent and...
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Lilla 2022-04-21 09:03:19
The director's play with the camera is simply obsessive. . . Looking at the long shot is still sleepy, the lens turns dizzy after a circle, but the tone of the movie is beautiful~ It turned out to be for the film Gabriel watched and ended up crying for Sarah Polley...
Don't Come Knocking Comments
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Earl: [singing] Where is Howard? Who is Howard? We wanna know, we wanna know. Where is Howard? Who is Howard? Where did he go, where did he go? He's down in the ditches. He's down in the ground. Disappeared himself. He's no-where to be found! Where is Howard? Who is Howard? He's long gone, he's long gone.
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Howard Spence: Mind if I turn the radio on?
Sutter: Yes, I do, as a matter of fact. I don't like outside influence.
Howard Spence: Outside?
Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
Howard Spence: I was thinking...
Sutter: What?
Howard Spence: I don't know.
Sutter: Nothing's changed.
Howard Spence: Guess not.
