-
Hannah 2023-09-26 23:20:12
In front of Dirk’s powerful eye scenes, the beautiful boy is just a...
-
Everett 2023-09-07 20:31:51
90/100, a set of push-pull rolls is extremely delicate, stacking up layers of emotions, is the beautiful boy just that deadly and tempting wild strawberry? No, he is the purest thing in the dirty world, the simple and mellow beauty of "Alice", and the consolation for the sensitive nerves of the protagonist, but how can he use desire to sully such beauty? Therefore, the camera is always the soul of the protagonist, he Approach him in the most sincere way. But beauty is deadly in the end. What...
-
Evelyn 2023-08-27 19:01:00
In an essay, the protagonist falls into infatuation and recollection while reading. On the sparkling sea is beauty and...
-
Jeromy 2023-08-21 20:36:57
The last scene, the dazzling sea water, Tazio's look back, the end of the composer's life, maybe you don't understand, but I...
-
Adelbert 2023-08-07 08:02:12
Are musicians just lustful attachments to teenagers? . I don’t think so. The last thing he stretched out his hand to grasp was his pursuit and desire for uninhibited natural youthful beauty, because he lacked such a sense of evil that transcended the boundary before. He was afraid of mediocrity but didn’t dare to escape from mediocrity, this boy. It was the original desire that he didn't dare to release in his heart, but he became desperate and finally died in the contrast of this kind of...
-
Pierce 2023-07-31 23:40:44
For an artist, it is an elusive futile effort to find the holiness from the banal. That boy, like the most beautiful existence in the world, drives the musician to destruction. In this Platonic attachment, all materialistic impulses have long been surpassed, and the fetters have lingered for a lifetime. (The beauty in Thomas Mann's writing lies in the impossibility of pursuing the ultimate beauty. As Wilde said, there are only two tragedies in life: one is not getting what we want, and the...
-
Charlie 2023-06-22 15:48:19
Visconti has been black all his life, and finding Dirk Bogarde to play the salty and wet old man can't relieve people's disgust for the male...
-
Letha 2023-06-15 12:06:33
#Northern Film FestivalRewatch# Visconti: "It is not a golden rule that films must avoid the tendency to dramatize, think about the films of our grandfather Mérieux, and you will understand: any art can be learned from, the important thing is that your works How deep is the inquiry into life, and whether there is poetry in your...
-
Beulah 2023-06-15 08:45:35
I should have died when I first saw...
-
Hayden 2023-06-12 07:38:05
The first Visconti, an absolute master. This story, which can sum up the plot in one sentence and is full of psychological description, has been presented with images in such an ironed manner. The lines are extremely frugal, the mirror movement is extremely calm, the shots are the emotions of the undercurrent, and the external manifestations are the convergence of sights. The stunning photography is not only aimed at the landscape, but also at the face. Slow zooming and zooming and panning show...
Death in Venice Comments
-
Gustav von Aschenbach: I remember we had one of these in my father's house. The aperture through which the sand runs is so tiny that... that first it seems as if the level in the upper glass never changes. To our eyes it appears that the sand runs out only... only at the end... and until it does, it's not worth thinking about... 'til the last moment... when there's no more time left to think about it.
-
Gustav von Aschenbach: You know sometimes I think that artists are rather like hunters aiming in the dark. They don't know what their target is, and they don't know if they've hit it. But you can't expect life to illuminate the target and steady your aim. The creation of beauty and purity is a spiritual act.
Alfred: No Gustav, no. Beauty belongs to the senses. Only to the senses.
Director: Luchino Visconti
Language: English,Italian,Polish,French,Russian,German Release date: June 1, 1971