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Eugenia 2022-03-21 09:02:11
The whole film creates an aesthetic sense of form through the natural light photography of the "magic moment". It feels like an Impressionist and Miller painting. Malick obtained a poetic or even divine quality from the depiction of the outside world such as machines and animals. The fire at the end is like the "Ten Commandments" from God. It is also the anger of the farmer, and more importantly, following the strong lust, to the abyss of despair and...
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Lizzie 2022-03-21 09:02:11
Slightly lacking in...
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Vince 2022-03-21 09:02:11
Slightly lacking in...
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Jaime 2022-03-20 09:01:58
In the gap between loneliness and vitality, the camera draws an unparalleled...
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Doug 2022-03-20 09:01:58
Malick's films don't need dialogue35mm screening at...
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Hildegard 2021-12-21 08:01:19
Malik, who absolutely loves life, nature, and the universe, always uses images to express his emotions, allowing the audience to feel poetic in the breeze and fire. Fans who can live with Anzhe, Malik, Ceylon and others at the same time are lucky. I hope to have the opportunity to watch this film again on the big...
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Veronica 2021-12-21 08:01:19
Almost all photography using natural light is so beautiful that it is breathtaking. Although the plot is very bloody, the plot is no longer important under the background of photography...The film is so beautiful, and Malik’s photography is so extreme. It is really extraordinary to see in the theater. enjoy. (The shot of the magnificent locust flying was taken from top to bottom and then finished...
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Alessandro 2021-12-21 08:01:19
The wind is light and the clouds are calm, and several paragraphs have goose bumps. The rhythm and continuity are better than that of "The Tree of Life". The camera is extremely light when moving the lens, and the train, the wheat field, the wandering partner, and the lone farmer are just a few scenes. It feels like the epitome of an era. Horse-drawn harvesters, propeller planes, natural light and magical moments. Everything will go to darkness and destruction. Fortunately, the little girl...
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Carol 2021-12-21 08:01:19
The picture is so beautiful! Every scene is beautiful and magnificent. The beauty of American farms is all in sight, saturated, moist and delicate. It’s great to be able to watch the 1080P Blu-ray version in the screening hall. Thanks to the friends who organized the screening. The story is actually quite plain. Richard Gere was so young at the time, but as a wandering worker, his clothes were a little too sophisticated. Is the protagonist...
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Troy 2021-12-21 08:01:19
1978, so beautiful, with clear colors, dark stories, pastoral scenery, faintly cold, as if there is no emotion, everyone is so separated, but it seems that there is a backlog of all the little emotions in the depths, as if it can be exploded~~
Days of Heaven Comments
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Maxine 2021-12-21 08:01:19
"Day in Heaven" Photographer's Statement
By Nestor Almendros
American Cinematographer, Vol. 60, June 1979
Translation: Haishu, Qtn, KTV
As a cinematographer, naturally I will be attracted by the work of directors who pay attention to the picture. And I think there are three American directors who are masters in visual expression. They... -
Julien 2022-03-25 09:01:10
Warm countercurrent shortly after birth
Fuck me fuck me (what is it like when an individual is an individual? Don't know and don't know, but it's not about being alive) They both know it's like happy and inexplicably gloomy childhood afternoons; beautifying and covering maybe Well, the extremely rational account of crime gives the...
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Linda: We seen trees that the leaves are shakin' - and it looks like shadows of guys comin' at you and stuff. We heard owls squawkin' away, hootin' away. We didn't know where we were goin', what we were gonna do.
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Linda's Friend: His name was Edward. He was nice. I liked him. I don't know. He said he was gonna buy me a fu'r. I always wanted a fu'r.
Linda: Where ya goin'?
Linda's Friend: For a walk. I don't know where, but - go - go beat the heck out of some tree or somethin'. Take it out on them. You comin' with me or what?
