Cries & Whispers Comments

Eleonore 2022-03-29 09:01:06

One word: I don't know. Seeing her showing her breasts to a patient at every turn, and all kinds of retreating into the paint, I deeply felt that this is the so-called literature and art! ! ! I am so afraid that I am also artistic! ! Watching the actors talk in their sleep and go crazy, I feel like my world is shaken: is this the Bergman? If you add impetuousness, this is a completely bad movie, but fortunately, the people pretend to be deep, and give three...

Dessie 2022-03-29 09:01:06

A red narrative that deprives characters of spatial depth. Emotions infiltrate all floating particles through color, and the warm colors of vision and the coldness of psychological independence show both sides of yin and yang in the "tap" sound of time...

Ashleigh 2022-03-29 09:01:06

Red unease and restlessness The tearing and silence of voices The portrait of Rembrandt The group portrait of Caravaggio Everyone lives in a different...

Ericka 2022-03-28 09:01:08

4.5. While watching, I was thinking, Bergman's red is really different from Ozu and Kie's red; temptation, cruelty, love, suspicion, self-abuse, black belly, rejection, acceptance, tolerance, hypocrisy... I like Anna so much I wish her happiness in this role. 2015.5.30. My favorite ending moment. 2018.6.21 Sisters, what a terrible combination. The big screen is perfect to tears. 2021.2.4. The last shouts and whispers...

Andre 2022-03-28 09:01:08

If it were Bergman to write [Three Sisters], it would look like [Shouting and Whispering]. This incomparable masterpiece has such a pessimistic view of life, that happiness cannot be increased for a moment, and that loneliness and lies, pain and suffering are eternal. Every character lives a double life, a world they hoped for that no one could ever bring to reality, no matter their whispers or cries. Bergman responded with a pitying glance at this...

Cara 2022-03-28 09:01:08

After exploring beliefs, relationships, the subconscious and death, Bergman returns to them all with this film. The scene where Anna hugs Agnes implies the transformation of motherhood into divinity, the three sisters live in a hopeless symbolic tradition under intersubjectivity, and the mother who has the face of her sister in memory is reminiscent of Lacan's "" Father's name". At least before the shouting and whispering, Bergman did not emphasize so much on the innovation of form, and many of...

Sam 2022-03-28 09:01:08

8.5 points or so. Shouts and whispers, outbursts and softness, seemed to separate Maria from the other two sisters. Is Bergman still partial to Uman so that's why? No, no, there is also a woman in the film - Anna, and Morrow said that Bergman's preference has always been the "Anna" in his play. The taciturn maid is the only redemption in the family's tragic memory, as if the director hoped to use it to mend his own. So after everything fell apart, we saw the most beautiful scene: three young...

Chelsey 2022-03-28 09:01:08

"Now, I can enjoy this perfect time and enjoy it for a few minutes. I am deeply grateful for my life, it has given me so much." How Bergman's this shows a hint of...

Laney 2022-03-28 09:01:08

Like the title, the emotional expression of the entire play is to wander between the cry of grief and the whispers of memory. Master Bergman sculpts the film like a work of art, including the use of large blocks of red, black and white in aesthetics. The beauty of the rigorous construction, the expression of the actors' emotional subtleties captured by a large number of facial close-ups, etc., is a great...

Makenna 2022-03-28 09:01:08

The closed situation where the characters are minimally explained, the whole film is clearly marked with a strong assumption of the simplified treatment of sounds, colors and scenes - the silence of the space corresponds to "cries and whispers"; red and white; a lot of close-ups. In this aesthetic orientation, even wrinkles have become a modification. The pinnacle of hypothetical is in the handling of the resurrection of the corpse at the end of the credits. When An Zhe made "Hunter" five years...