-
Lesly 2022-03-16 09:01:08
Godard's film is a demonstration—a demonstration at once: a proof, but also a challenging denial: a demonstration; anti-pornography and objectification, anti-Hollywood business, he never Metaphor and allegory writing achieve this purpose, the lines are directly a kind of declaration and revelation, and the image is also the idea, just as it thinks that the text as a form of thought is not indistinguishable from the film. It is not the reflexivity of the camera and the reference to myth, but...
-
Isai 2022-03-15 09:01:10
Brigitte Bardot's body, unsubtitled English dialogue in the middle, beginning and...
-
Angel 2022-03-14 14:12:30
At the end of [Contempt], the camera guides us to meet Odysseus's gaze, thus showing us what a modern-day homeland looks like: in the middle of the ocean, the legendary island of Ithaki is no longer there. The topic of God and man superimposed on the marriage issue in the film is obviously referring to the film itself. Now that the director has been overthrown as a god, can people fearlessly claim that God's absence can help us? Here Gouda shows a struggle, oscillating back and forth between...
-
Delpha 2022-02-24 08:02:09
①At the beginning, the camera is aimed at the audience, and at the end, it is turned to the sea, which skillfully blurs the boundary between reality and film, and enters the world that Bazin said is "closer to our desires". ②The handling of language differences is outstanding, and wrong translation and understanding create a different atmosphere. ③The camera is alive (blue, yellow, and red filters, the perspective under the sunglasses), but the story is dead, and the orchestral music inserted...
-
Lionel 2022-02-24 08:02:09
8.1/Film Festival, Godard is still very funny, as shown in Figure 2-5. Godard's film is still about love in the final analysis, and the adjustment of the two actresses' clothes colors changes with the direction of love in the film, as shown in Figure 6-9. The love tragedy of two men and one woman based on money may be despised, but the society at that time was probably like that. Long shot scheduling is great. (See Weibo http://weibo.com/1856087511/DewdVmcKG for the...
-
Alysa 2022-02-24 08:02:09
8/10. Vertical portrait photography (cliff steps/roof sunbathing) creates classical realism, the relief of the apartment space/the hero and heroine form a symmetrical composition intriguing; Lang and Homer are juxtaposed/uncompromising artist, the secretary arches his back as a desk to write a check, like throwing a discus The producer/money weapon who lost the sample box, the screenwriter took the gun/knowledge weapon from the bookcase to persuade his girlfriend to leave but was unable to use...
-
Dylan 2022-02-24 08:02:09
Godard is another masterpiece, borrowing the shell of the film to tell the contradiction between a man and a woman, using the way of objectifying women to satirize objectified women, playing with business routines and still doing his own wayward art behind the scenes. The most enjoyable thing to watch is the closed environment of the second act. To a certain extent, it can be said that it is the strongest and most complex play in the play, and the iconic color of the pimple is still...
-
Arch 2022-02-24 08:02:09
"Every morning, for bread, I have to go to the market, a place peddling lies. Hopeful, in line with other hawkers. What is this? Hollywood." Fritz Lang's line is second only to or belongs to His "Wide screen is only suitable for snakes and funerals" ranked second on the Golden Sentence List. To be honest, Lang's evil aura was too powerful. Although the blindfold is removed, the prestige is not diminished. In front of the original one-eyed, Wayne Li Marwen has to bow down. The Hollywood tycoon...
-
Rosalee 2022-02-24 08:02:09
Godard's only film with a full script written ahead of time, a new interpretation of the Odyssey couple's life. The opening is still red, yellow and blue, and the 2016 Cannes poster is from the end of the film. The beauty and nudity of the heroine forced by the American investor is a major attraction. Alain Begara said that Brigitte Bardot did not want to appear naked in Godard's film at that time, so she found a substitute, but the American investor did not find it. (Godard Film...
-
Ruthie 2022-02-24 08:02:09
The triple intertextuality of myth, script, and reality is brilliantly handled, self-referral begins with the director's voice on camera, and translation and co-production are ironic. The deep strings allow the fragmented mythological narrative to connect and prevent my antonioniphobia from developing. The only downside is that it takes the scriptures too seriously, and the intertext that persists to the end loses the sense of novelty, and I don't like this kind of...
Contempt Comments
-
Clifton 2022-02-24 08:02:09
Unexplainable is the best explanation
-I don't love you anymore.
-Why?
-I don't know.
Godard is really brave, he shoots such abstract emotions.
He must know that many people cannot feel such abstract emotions.
We don't like to hear people say to ourselves "You're too sensitive, emotional, emotional, weird, overthinking, crazy..." or... -
Allie 2022-03-19 09:01:09
against interpretation, so xjb interpretation
At the ebb of the new wave, General de Gaulle's Fifth Republic had just ended the conflict in Algeria, the turbulent years after the war could be said to have just ended, and the Assassins' social culture and spiritual outlook finally had a breathing space, and their extensive changes had only...
-
Paul Javal: In '33, Goebbels asked Lang to head the German film industry. That very night, Lang left Germany...
Jerry Prokosch: This is not '33. This is '63. And he will direct whatever was written. Just as I know that you are going to write it.
-
Fritz Lang: "Think of the seed of your creation. You were not born to live as brutes, but to follow virtue and knowledge." Know it?
Paul Javal: Sure, it's very famous. Dante.
Fritz Lang: Yes.
Paul Javal: "Night then saw all the stars. We were filled with gladness, which soon turned to tears, until the sea closed in upon us."
Director: Jean-Luc Godard
Language: French,English,German,Italian Release date: December 18, 1964