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Kendall 2022-03-27 09:01:20
I suspect that this film was inspired by Pasolini's "Soft Cheese" (Rogo Pag's third short film), you get Orson Welles for the biblical story of the crucifixion, I get Fritz Lang for the film Horse Epic Odyssey. It is also a play-in-play structure, with American producers, German directors, French screenwriters, and filming in Italy. The four languages sound very difficult, and the addition of a female translator makes it even more chaotic. The main selling point is that Brigitte Bardot...
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Hadley 2022-03-27 09:01:20
For the realistic metaphor of Homer's epic, the unfamiliarity with the Odyssey deepens the difficulty of watching the film. Sometimes I'm fascinated by the motionless stabilized shots and indoor dialogue...
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Dolly 2022-03-27 09:01:20
20161210 Revisit|20200122JLG Retrospective Revisiting DCP: Ce film avait été choisi par Jean Douchet en prévision de son Ciné-club : en hommage à Jean, la Cinémathèque française a tenu à maintenir cette désignation.« Le sujet du Mépris, ce sont des gens qui se regardent et se jugent, puis sont à leur tour regardés et jugés par le cinéma, lequel est représenté par Fritz Lang, en somme la conscience du film. » (JLG, 1963)
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Major 2022-03-27 09:01:20
4++ The grand and heavy strings are my favorite. This one is a bit sloppy. I like its set-in-set. This kind of philosophical stare is cunning and mocking. Dear Odysseus, your faithful wife, you It is Mi Youfu who enjoys half of it, even if her ankles are even if her eyeshadow is next to a man who has not changed for thousands of years, a woman is struggling with aphasia, trying to be independent and trying to humble herself, of course, the ending is worth pondering ---...
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Ayden 2022-03-27 09:01:20
Red, yellow and blue filters, Odyssey...
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Sigurd 2022-03-27 09:01:20
Nerve, desire, capitalist; work, payment, anti-commercial. In essence, it is a discussion of modern interpersonal relationships under the shadow of material desires, plus a bit of coercion by capitalists on artists. The form is perfect, but the content is boring. BB's mundane face and exaggerated body really suit the role. The meaning of color, the hint of scheduling. Intertextual things I read less and didn't...
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Cristian 2022-03-27 09:01:20
Emotions, money, career, conflicting elements. The scenes in this Gundam selection are beautiful, and of course Brigitte Bardot is beautiful too. In fact, I want to ask where is the villa on the...
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Reyes 2022-03-27 09:01:20
The opening shot is really brilliant. After the post-setup, the point of view is shifted, allowing the audience to perform at the same time, and refer to each other with the content of the film. The relationship between the male and female protagonists in the film refers to each other in Homer's "Odyssey". The viewer must also have a little bit of Homer's epic in order to "play" and "see" more...
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Hunter 2022-03-27 09:01:20
Even though Godard is always too 'accent' for me, this one is really well done, with a cameo by Fritz Lang! The only downside is the repeated use of the same overly grand soundtrack... The architects may be fond of the location in the back quarter of the film, Casa Malaparte, a seaside villa in...
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Luciano 2022-03-26 09:01:13
The first time Paul let go, he lost Camille forever and suffered the consequences. The smooth soundtrack of the camera is also very good. Godard only regards Bardot as a meatball, and the goddess is not as coquettish as in La...
Contempt Comments
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Jasper 2022-03-25 09:01:20
"Contempt"
Andre Bazin said: "The film replaces a world that is more in harmony with our desires." "Contempt" tells the story of this world. - Jean-Luc Godard
Contempt is Godard's sixth feature film and his second color widescreen film, based on Moravia's novel. Michel Piccoli and Brigitte Bardot play the...
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Kamryn 2022-03-21 09:03:15
Surrounded by life
It's all about off topic.
Maybe it's because of the high expectations, the habit of expecting sensational things to happen, as if the story had to be that way - you know what I mean. It had to be full of ups and downs, and it had to be bright and colorful when unshelled, just to catch my eyes...
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Paul Javal: Producers never know what they want.
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Paul Javal: In '33, Goebbels asked Lang to head the German film industry. That very night, Lang left Germany...
Jerry Prokosch: This is not '33. This is '63. And he will direct whatever was written. Just as I know that you are going to write it.
Director: Jean-Luc Godard
Language: French,English,German,Italian Release date: December 18, 1964