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Llewellyn 2021-10-20 19:01:11
I thought Mr. Vincent played dead in the end. . . It’s too stereotypical. This screenwriter likes the scene in the nightclub FEVER. JaVale Baden’s acting directly shines through the two male protagonists. . . My aesthetic aversion to black women continues. ....
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Alexandro 2021-10-20 19:01:11
Brother Tom worked very hard for a few close hand-to-hand combat and was very fierce. The quality of the picture was first-rate without losing business and it brought the audience to think that the corner details were so weak that they didn’t match the overall style, and they were inexplicably...
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Kay 2021-10-20 19:01:11
The white-haired Tom Knockscrew is very much like George...
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Hubert 2021-10-20 19:01:11
Depressed, Michael Mann never let the bad guys...
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Johnathan 2021-10-20 19:01:11
The story is compact, it can be regarded as ups and downs, and the psychological warfare part is also in place. The dialogue creates a deserted atmosphere, but there is nothing deeper than...
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Darryl 2021-10-20 19:01:11
Slightly disappointed to be honest. If it is an ordinary work, it is acceptable to shoot in this way, but with the escort of two masters, Tom Cruise and Jimmy Fox, it still feels somewhat reluctant to come out such a result. The story arrangement is still new, and the combination of the killer and the taxi driver is also quite different, but the key is that the plot of the previous hour seems to be relatively procrastinated. I think the two-hour movie can be reduced to at least one and a half...
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Aaliyah 2021-10-20 19:01:11
Great, worthy of being the first case study in "Film Art". The high-definition camera has a unique advantage in the night. McMann filmed the bar scene so superbly. I was choked for the last half an hour. . . This is definitely the pinnacle of Ah Tang's career. He looks so cool and his characters look like vulgar novels. The killer of the literary...
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Bernadette 2021-10-20 19:01:11
The most talkative killer in history. Died of...
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Floy 2021-10-20 19:01:11
City lights, guns fire. Leng Yi is lonely against the killer. The lines are alert and wise. Even Tom's gray hair is as "Michael Mann" as Robert De Niro...
Collateral Comments
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Hoyt 2022-03-21 09:01:18
Who is the sword, who is the human, or the "benevolence" of benevolence and righteousness
In the dimly lit taxi, there are neon signs behind and the lights are on. Outside the car, there is the outline of the city night scene outlined by the lights. It is not clear what the tall buildings here look like, but in the big scene, only the change and movement of the lights are used...
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Pasquale 2022-04-22 07:01:03
Every parent is dissatisfied with their life
The director is really good at realistic city shots, no matter the lone wolf on the street or the night in Los Angeles, the simple colors, light and shadow are very comfortable
. Perhaps there is no nation that suppresses itself more than the Chinese, so when we see Americans dissecting...
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Vincent: Yo, homey! That my briefcase?
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[Max is on the radio dispatch with his boss, Lenny]
Max: Yeah, Lenny, what's up? It's me.
Lenny: Just got off the phone with the cops. Desk sergeant called to check if you brought the cab in?
Max: Yeah, so?
Lenny: So, aside from I hate talking to cops, they tell me you crashed the goddamn cab?
Max: No, no, I got crashed into. I didn't...
Lenny: Do I care what, where, why? You're paying.
[Vincent is trying to think of what Max should say next]
Vincent: [to Max] It was an accident. You're not liable.
Max: It was an accident. I'm not liable.
Lenny: Bullshit. I'm making you liable. It's coming out of your goddamn pocket.
Vincent: [to Max] You tell him to stick this cab up his fat ass.
Max: I can't do that, that's my boss.
Vincent: So?
Max: I need my job.
Vincent: No, you don't.
Director: Michael Mann
Language: English,Spanish,French,Korean Release date: August 6, 2004