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Amparo 2022-03-26 09:01:11
Spring Film Festival 2020 Commemorative Badge...
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Nina 2022-03-26 09:01:11
Assayas is fascinated by the theme of the play within the play, the characters in this play have a lot of intertextual metaphors, and there are several layers, which is very interesting. Juliette Binoche is so good at acting that I want to applaud...
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Kody 2022-03-26 09:01:11
Reality, rehearsal to lines, play-in-play "Snake of Maloya", the boundaries of the triple mirror in the film are almost indistinguishable, the stage play corresponds to life, and life is just like a stage. Everything points to Maria's fear and loss in the face of "aging": Sigrid, who was determined to be young and free back then, is extremely resistant to Helena, who is now losing to the aging of the years, but time passes like Maloya's snake. The PS selection is so appropriate that it almost...
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Grady 2022-03-26 09:01:11
I don't think I'm talking about the intimacy between stars and assistants. I'm talking about a mixture of "women" at all. I'm so tired...and I really want to watch that drama within a...
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Louisa 2022-03-23 09:03:01
"Ghost Fashion" seems to be born out of here. Assayas said after the screening that he likes to use fade out transitions because it is closer to the temperament of silent films. The hierarchical relationship of the entire movie is well done. The two plays before and after extract two nodes from the flowing time, so that they meet in the same time and space. The fear of women in the movie is too strong. The timeline of a woman is a process of increasing fear and decreasing control, and this kind...
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Hollis 2022-03-23 09:03:01
Under the flashlight, she walked out of the luxury car indifferently, with a common face; on the stage, she smiled politely and read out the prepared script. Her life is envied by everyone, but no one understands the loneliness. The male star who was not used to it touched his hand before, and his mood floated to the sky; the assistant praised the newcomer and gave birth to inexplicable jealousy. The sudden changes in middle-aged life have affected the life of the existing track at an...
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Sidney 2022-03-22 09:02:37
Accept that aging is the process of grinding away the...
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Jerald 2022-03-20 09:02:34
2021-5-5 Revisited; the cycle of time proof, the symmetrical structure of the relationship between the characters, the subtle hearts that are mirror images of each other; the mutual expectation and irony of reality and drama, the fusion and confrontation of real people and characters, three women The mutual dependence and mutual wrestling between Assayas’s modern version of "Mask"; "Cloud Snake" represents the "green light" they pursued together, and the sign that witnessed the turn and turn aft
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Lottie 2022-03-20 09:02:34
Exquisite but not clever, not smooth 06/17/15 at IFC...
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Leanna 2022-03-20 09:02:34
The most indispensable thing in the three major festivals in Europe is probably this type. The original copy of the birdman and the Venus wearing fur is not what you see. Caesar must die... Fortunately, I don’t receive much attention. I quite support this. As a result, we have to stop this unhealthy...
Clouds of Sils Maria Comments
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Christopher Giles: Tastes can get worn out, kind of like desire.
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Maria Enders: [Referring to the proposed role of Helena] Time's gone by and she can't accept it. Me neither, I guess.
Klaus Diesterweg: There is no antagonism. It's the attraction of two women with the same wound. Sigrid and Helena are one and the same person. One and the same person. That's what the play's about. And because you were Sigrid, only you can be Helena now.
Maria Enders: How can you be so sure?
Klaus Diesterweg: You know as well as I do that Wilhelm Melchior had been working on a sequel for years.
Maria Enders: Yes. But it was about Sigrid at 40 years old.
Klaus Diesterweg: No, it was about Sigrid 20 years later became Helena.
Maria Enders: So who's going to play Sigrid?
Klaus Diesterweg: Jo-Ann Ellis. She did a superhero movie that just opened in the States.
Maria Enders: And besides that?
Klaus Diesterweg: Not much. She's 19. She's a lot more interesting that her interviews and profiles. She has a theatrical background. She doesn't want to be swallowed up by Hollywood. She admires you and is willing to pull out of her other commitments.
Maria Enders: I'll listen carefully. But to be honest, the role scares me. Helena scares me. I'm in the middle of a divorce. I feel alone, and vulnerable. Probably too vulnerable to do this.
Klaus Diesterweg: If you refuse, I'll understand, but it will be a missed opportunity, especially for Wilhelm.
Maria Enders: I should get going.
Klaus Diesterweg: Excuse me, but I won't be staying for dinner. Good evening madam.
Maria Enders: Klaus, I have another reason. Susan Rosenberg. She played Helena with me.
Klaus Diesterweg: I remember Susan Rosenberg.
Maria Enders: She died in a car accident a year after. It's a superstition; I've always associated her death with Helena's suicide.
Klaus Diesterweg: She was a lousy actress who didn't understand a thing about the role. And her conventional style of acting highlighted the modernity of your performance. You should be grateful to her.
Director: Olivier Assayas
Language: English,French,German,Swiss German Release date: August 20, 2014