Camille Comments

London 2022-04-24 07:01:23

There's only one place for me, 0.5 seconds at the end of the last shot at the end, the fading lights sculpt a kind of ending face, the shadows hang in there, the harsh reality that the movie has to end, and so does the story , but the silhouette becomes...

Bennie 2022-04-24 07:01:23

Personally, I think Garbo's temperament is too old and his voice is low and bitter. Although the adaptation at the end gave this pair of hard-working lovers the last kindness to a certain extent, compared with the scene where the two people moved tombs and opened coffins when I first saw the original work, the impact was significantly weakened. "Let us forget each other - you forget a name that is quite cold to you, and I forget a happiness that I cannot afford to...

Maybelle 2022-04-24 07:01:23

7/10. The image of camellia is sublimated in the movie. The beauty of the flower symbolizes the longing for beauty, and it also implies that the fragrance of Margaret fades into withering. George Cook maximizes the movie's beauty in the exquisite grasp of the picture and the best rendering of the happy scene. Spatial expression: solid color background and full and transparent lighting, skilled use of golden ratio and geometric center composition, and at the same time incorporating gorgeous or...

Maxine 2022-04-24 07:01:23

As far as I can think of human evolution to the extreme face, it is still Garbo with the fusion of two gender traits on the same face. In "La Traviata", she is arrogant and cold in the shadow of pearls. She removes the complicated costumes, but she is clear and innocent. But she is more suitable to interpret Anna Karenina, born with a pair of eyebrows and eyes for love lying on the track. In "La Traviata", under the slap of the baron, with a face of broken dignity, I think I saw Anna again. For...

Desmond 2022-04-24 07:01:23

I haven't read the original book, but I was moved by the movie. What's a more precious gift than giving a love to someone who doesn't believe in love? Although this love is more painful than happy, it is also the most beautiful. Both actors are good, especially like Garbo, with the beauty of the...

Carter 2022-04-23 07:04:07

I finally know what La Traviata is talking about. It's really a beautiful love fairy tale. The heroine died in the arms of the man, before she started her marriage life. You say why they love each other, love to death, but it seems impossible to say. The female protagonist is too beautiful, and the male protagonist is too handsome, so it doesn't matter how the two of them...

Jaclyn 2022-04-23 07:04:07

I feel like Robert Taylor is a bit of a male vase. Garbo's frowns and smiles are all a play, like Margaret walking out of a...

Antonio 2022-04-23 07:04:07

I can't figure it out, why should a talented courtesan be adapted into an...

Amelia 2022-03-20 09:02:46

The remake of George Cook's version is obviously American, with the style imprint of a major Hollywood studio in the golden age, a large number of interspersed tap dancing with the legacy of Broadway and jazz, and a gorgeous studio setting. The director also retained Dumas's text lines. See also the typical "screen kissing" of that era. Although there are still traces of stage performance. But it is also unforgettable as a historical witness of the transition from silent film to...

Bell 2022-03-19 09:01:08

The two men didn't love her, the baron spent money to buy possessiveness, and when Amon misunderstood that she loved money, he turned against her and humiliated her in public. Only the man who watched her silently when she was seriously ill, stuffed her money into the purse, and concealed the fact that Amon came back but did not come to see her, was a good man who could be...