Blow Out Comments

Darryl 2021-12-21 08:01:22

1. The sound engineer’s path to the truth, suspense thriller version [zoom in]. 2. Parma's lens scheduling is fascinating, such as the killer subjective long lens in the first play, the 9-round rotating long lens in the editing room, and a large number of large depression angle lenses. 3. The bathroom screamed to pay tribute to [the mentally ill], and the climax showed the panic and miserable mood with the colorful flashes of fireworks reflected on the face, which is the same as [得魂索]. 4. The...

Percy 2021-12-21 08:01:22

Splicing parts of Hitchcock, Opheles, Coppola, and Antonioni into the story of self-movement is really the plain advantages and disadvantages of Parma. The long rotating lens is really dazzling......

Angelo 2021-12-21 08:01:22

so good! Although the plot and conception are a bit weak, the flaws are not concealed. From a technical point of view, it is simply awesome. It is too eye-opening, scheduling, mirroring, composition...It is about to play, eclectic, all kinds of dazzling and awe-inspiring, Travor The accent of the tower is too heavy, and you can understand the importance of sound effects. The most true response comes from the tragic and terrifying reality experience, the wonderful echo and cohesion, and another...

Gregorio 2021-12-21 08:01:22

The horror screams in the bathroom, shooting from the north-northwest, seizing the soul and setting up fake scenery, eavesdropping on the big conspiracy, "amplifying" the sound. These imprints of the other, plus the long mirror in the opening scene and the nine-circle 360-degree long mirror, as well as the field recording and editing, make people kneel down. The story still started from the alienation of people in the era of technological replication, but it did not reach the expected height....

Lola 2021-12-21 08:01:22

35mm Im crying... absolutely amazing QAQ (Every time I enter, there is no way to watch the film 100% seriously. Anxious/mild depression academically. When I have no thoughts, I will turn out the orgasm and watch it again. Every time I want to cry. Then I was asked what my favorite movie is, this one can’t replace it for the time...

Alphonso 2021-12-21 08:01:22

There is another sense of familiarity, but one is Blow up and the other is Blow out. It is a pity that the film did not dig deep into the "movie sound". In fact, Parma has let go of many places where sound can create suspense, and instead reveals the answer directly through vision. I don't quite understand why that killer is always trying to get a blonde girl. The idea of ​​rotating a long lens is a bit...

Nikolas 2021-12-21 08:01:22

The best part of de Palma's media reflexion. Blow-up talked about pictures before, and Conversation talked about sound. The ingenuity of this film is that it talks about the synchronization of sound and picture from the perspective of sound. In this way, a post-Kennedy death era political conspiracy story is grafted onto the film's post-production process, and then a beautiful meta-film loop is...

Adelbert 2021-12-21 08:01:22

Technically speaking, Parma is a person who is willing to merge the "old" film skills (Xie Fat, cult) and take it one step further. For the same widescreen lens, Parma puts innovation in technical aspects such as lenses, rather than character scheduling like "Parallax". But this story may be more appealing to fans who love American suspense movies, because whether it is compared with "Zoom" or "Dialogue", Jack's character image seems to be the low IQ and single-cell version of the latter's...

Jarvis 2021-12-21 08:01:22

Four and a half stars, stealing from Hitchcock and Antonioni, DePalma is the most skilled modist and technology controller in New Hollywood. The presence of a strong and perceptible camera, the murder scene is typical of Hitchcock’s presence, dual screens, editing, sound effects, long panning, etc., spare no effort to transform and strengthen the expressiveness of the film, and repackage the old genres and themes Transformation, adding more modern perspectives and techniques into the entire...

Carroll 2021-12-21 08:01:22

The problem is the same as all "Dipangma" films: anticlimactic. The opening slasher/giallo's tribute is amazing. The layout of the "puzzle" looks like a series of clever pens. When the phenomenon is reconstructed, the interesting details have been discarded. The final solution can only be explained by "the director is looking for an excuse to end the film". Compared with the imitation object Blow Up, the structure of the two pieces is exactly the same, except that one is uphill and the other is...