-
Letitia 2022-12-11 13:00:20
20131219jtl Haneke's early works, restrained and cool, rough and real, depict the hypocrisy, indifference and absurdity in a certain middle-class family. The modern version of hiding one's ears and stealing the bell, the son's ignorance, the nonchalance after the murder, the hypocrisy and cowardice of the parents, trying to make up for it in various ways. A tragedy is destined to happen again and again. Real violence is far more shocking than overly decorated, such as the paragraph about killing
-
Arnold 2022-12-05 00:23:41
The videotape, the image within the image, has a shadow on me now! Haneke always tells a terrifying story in that icy tone and tone! I'm scared to death of...
-
Davon 2022-11-30 22:41:15
Damn, Haneke is so perverted, the torture for the first half hour is really worse than the hidden camera. . There is no one who can torture the audience. . When and then half of the way a little bit can't keep up. . Uh, it turns out that this is one of the perverted teenagers in the fun game, and he has a hand in evolution. ....
-
Holden 2022-11-30 09:33:31
"I just want to see what happens next." Juvenile delinquency has a unique...
-
Dashawn 2022-11-26 11:39:24
[B+] Of course, it is more human than "The Seventh Continent", because Haneke is at least taking a good facial close-up this time. Of course, those facial close-ups are still anti-human stares, without a trace of emotional sustenance. Video tapes are responsible for recording and reproducing. On the surface, video tapes represent the facts themselves, but they are actually distortions of the facts. Because all the sensory elements contained in the environment are hidden, only monotonous noise...
-
Monica 2022-10-24 22:37:39
Susan Sontag said that the essence of photography is possession (aggression), and it is foolish to think that the act of watching the video repeatedly is itself a kind of sadistic violence, not to mention that as a videographer, when his vision greatly records the violence , will undoubtedly integrate the self into this action and maximize the pleasure of violence conveyed by the video action. Playing backwards and slow motion will not decompose or weaken the violence, but regain the pleasure...
-
Peggie 2022-10-20 06:42:40
The most terrifying thing is their indifferent...
-
Israel 2022-10-16 11:58:34
Three basic groups of aggression and violence are presented: the boy on the girl, the gaze of power on the middle class, and the camera on the subject. Haneke continues to criticize class in a icy style, but this time it is far more flexible and natural than "The Seventh Continent." "Egypt in the Camera" is a brilliant touch: the boy's long-lost happy ending in the third world....
-
Everett 2022-10-15 05:12:01
Rita: restless...
-
Clay 2022-10-12 14:31:52
This is a movie that makes me think that it can only be done in 1992. This kind of extremely divergent theme setting is very easy to appear not simple, just like putting a # on my own image and placing it in the minds of film critics. The good part is the part that didn't break down from the beginning to the end. It ends how it starts. The language of the video also creates some horror, but the content of the video itself has a stronger vitality under the cloak of the theme, which makes me feel...
Benny's Video Comments
Extended Reading
-
[to Benny]
Vater: You mustn't lie. Is that clear? You can't afford to.
Director: Michael Haneke
Language: German,English,Arabic,French Release date: February 11, 1993