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Grayson 2022-03-23 09:02:34
#BJIFF2018# The flashing memories (which seem to have childhood trauma) can be easily distinguished from the important dream parts, but the difference between fantasy and reality has completely disappeared (if not @JeffL reminded me that I have been deceived), so via Dreams, memories, fantasy and reality wrestle in all directions, Deneuve dressed in Saint Laurent perfectly interprets how a cold, reserved, sexually repressed woman turns into a swaying...
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Talia 2022-03-23 09:02:34
Buñuel made a prostitute's daydream noble and elegant, and at the same time pierced the disguise of the moral desire of the middle class. Driven by desire, such a dignified woman wants to break the reality and pursue another kind of distortion, and then the dream and reality become blurred, and celebrities from all walks of life with strange and strange ways of satisfying come one after another. end. As the lines say: money and leisure make people...
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Stuart 2022-03-22 09:02:17
1. Freud perfectly integrated into the Buñuel-style combination of reality and reality, a "self-healing" of the "rich and idle" bourgeoisie. 2. Deciphering the symbols: the same driver, wheelchair, lilies and bells. 3. The seconds-long overprint of woods/houses shows that the truth is indistinguishable, but in fact it doesn't matter, Buñuel once again captures the emptiness and hypocrisy of the bourgeoisie. 4. Deneuve's reenactment of sexual repression + sexual indulgence is excellent and...
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Kirsten 2022-03-22 09:02:17
2018.6.22 Second brush. Intervals of dreams, memories, and surrealism are staged in high-saturation pictures in turn. The repressed psychology, like the repressed lust, trembles in Deneuve's ice and snow carcass. Jealousy, resentment, understanding and alienation, Buñuel finds the balance of art in the form of melodrama. The biggest impression left by this film is: in the eyes of men, there are only women, and in the world of women, there is only oneself.
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Ernestina 2022-03-22 09:02:17
European directors really face all kinds of desires of people's hearts! uh-huh. . . It turned out not to be a day/beauty, but a white/sun/beauty....
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Kurt 2022-03-21 09:02:34
Day Face ~ A woman at two o'clock in the afternoon on a weekday...
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Percy 2022-03-21 09:02:34
The wheelchair seems to be a very important demarcation prop... Frigid beauty! Vivi Amway's favorite...
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Alberto 2022-03-21 09:02:34
I watched this for the goddess of Mr. YSL, I didn't expect you to discuss the rich and boring of the middle class. How boring was the middle class in the 1960s, like a lady who was bored enough to be a prostitute. dark and...
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Caterina 2022-03-21 09:02:34
Oh my god! incredible! A film in the 1960s, with such an obscure subject matter, so squarely faces the heroine's lust and emotional predicament, and the attitude is still understandable, which is unimaginable. The panic and tension in the latter part of the incident, and the life situation at the end, are very real. The last set of shots echoes the beginning and end, and there are new changes. You can see the female protagonist's mental journey. There is a kind of irony to life in that kind of...
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Cleta 2022-01-07 15:52:49
Catherine Deneuve portrays the image of the frosty slut too fascinating, and what is even more fascinating is the real movie text. Even if life is calm, the day will be freed up for artificial...
Belle de Jour Comments
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Anne 2022-04-23 07:03:20
True and false desire and reality
The movie "Beauty in the Day", also known as "Beauty in the Day" and "Beauty in the Day".
At the beginning of the film, there is a tinkling bell. The heroine Sapphire and her husband Pia were riding in a carriage driven by a family member, driving in a forest.
The husband and wife were chatting...
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Christopher 2022-04-23 07:03:20
beauty by day
The film "Beauty in the Day" has long been heard, and it is often seen on hundreds of classics. I watched it under the recommendation of Tao Tao Ei, first of all director Buñuel, a representative of the French avant-garde in the 1930s. Directed the surreal masterpiece "An Andalusian Dog". I...
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Séverine Serizy: How dare you! Let me go! You brutes! Let go of me! It's not my fault. I can explain everything.
Pierre Serizy: Go on. Don't worry about roughing up the little slut! Hurry!
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[repeated line]
Séverine Serizy: Forgive me.