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Jade 2023-09-23 03:21:02
The shocking, immersive video text and the perfect fusion of the dramatic structure are once again Crax's crazy creation in the field of musical and dance films, and are also full of the avant-garde atmosphere of various postmodern art in terms of criticism. Being invited at the beginning is like controlling every nerve of the audience, but the narrative is much more tolerant than "Sacred Car Dealer", based on a clear story line, so it will not give up thinking while feeling. The consciousness...
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Jean 2023-09-22 20:46:28
An aria of a scumbag killing his wife and friends, with the narrative tradition of classical Greek drama shining brightly. PS: Adam Driver is really an actor who is worth continuing to look forward...
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Joannie 2023-09-14 01:00:13
In the final interaction, we seemed to return to "District 9" and "Super Chappie". The core concept is passed between works, memory and characteristics flow between the body with the demon, taking the sci-fi, reconstructed memory world as the starting point, cutting into the inferior, twitching CG image, a contemporary "video tape image". ”, a return to the most instinctive chaotic medium of horror...
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Sasha 2023-09-10 23:33:16
It is an ancient Greek tragedy in its bones, which just fits the form of opera/musical, mixed with Gothic, modern social technology and popular elements, religious symbols (a bite of an apple and a devil birthmark with a similar color to the apple), horror films puppet. High-speed switching of different super-visual scenes, beautiful and beautiful, the body is like a pale perfect plaster, the magnified visual experience and the complicated music contribute to a dazzling viewing experience,...
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Eddie 2023-08-27 11:43:39
4.5 Because Carax clearly breaks the fourth wall and establishes a contract with the audience from the beginning, pointing out that everything on the screen is fictional, so whether it is a puppet symbolizing Annette, or an image wandering in movies and stage plays, it is both deliberately offensive and challenging. The audience also pointed out that the essence of the image is infinitely close to the real but beyond the real. What impressed me the most was not the actors (although the driver...
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Harley 2023-07-11 01:05:02
9.4/10 The Requiem could not be played twice, standing at the end of the medium, only by reversing steps with Hermes to get out of the puzzle; digging out the fragmented corpses buried in the car dealership, under the guise of the ancestors , pieced together a Frankenstein-like form. Instead of just deconstructing the performance, it tries to rewrite the sentence for the territorial effect between the character and the audience. Conjuring the spirit, invisible hands, trying to hold the ghost's...
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Marlin 2023-07-09 13:30:08
10/10 //20220128 Second brush...
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Doug 2023-06-22 22:06:08
Karax played an experimental film this time, and the plot is all wtf? In order to highlight the form of the opera, even the inner part is not needed? If it sounds good, it is retro, and if it sounds bad, it is a cliché, stinky fish and rotten shrimp wrapped in gold...
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Leann 2023-06-10 09:57:05
"Sacred Car Dealer" presents the painful actor (and director) trying to disintegrate the stage space (genre) on the wide realistic stage, while "Annette" presents the actor's body in despair in genre (musical, comedy, American film) The ground is used to evoke dance, self-mockery, and finally fall into the abyss. The two are actually the same thing, the relationship between the two is like the Ann who gave birth to everything and Henry who killed everything, and their intercourse in bed creates...
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Karlie 2023-06-08 23:31:20
- Hold your breath~So may we start? The musical starts: - Man ~ his stand-up can make people laugh to death ~ ha ~ he really kills ~ - woman ~ she always dies in opera, bowing ~ no ~ she really is dead ~ - child ~ father's cash cow ~Mother's Vengeance Poison~ She's a wrestled, manipulated marionette~Ah~she no longer sings~she lives~ - Lantern~Good night one and all~The end of the...
Annette Comments
Extended Reading
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Annette in Prison: Now you have nothing to love.
Henry McHenry: Why can't I love you? Can't I love you?
Annette in Prison: Now you have nothing to love.
Henry McHenry: Can't I love you, Annette?
Annette in Prison: No, not really, Daddy. It's sad but it's true. Now you have nothing to love.
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[repeated line]
Henry McHenry: There's so little I can do. There's so little I can do.