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Gillian 2022-03-21 09:03:15
A song and dance director's echo of his past life when he was dying. The song and dance in the film has become his fantasy and sustenance, and the fantasy scenes in the second half are about to fly. The overlapping of fantasy and reality, the opposition between debauchery and death, the ending was handled very coldly, and the previous song and dance became a ruthless irony in an...
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Daniella 2022-03-20 09:02:54
so sexy ！ so sad ！ so dreamy...
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Marilie 2022-03-20 09:02:54
In private life, he is an unrepentant scumbag, but all of them always love each other in music and dance. This is the portrait of an artist, even if his art is a "vulgar" song and dance show. He sang and danced, but Roy didn't have to sing and dance. The photography editing is superb, the early morning grooming segment is regarded as an interlude, and the flashy themes can still be shot...
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Sammy 2022-03-20 09:02:54
In addition to singing and dancing (mainly dancing, the music is really bad), the whole film is just repeated fear of death. And the fear is very hollow and monotonous. The complexity of the show is only blunt and superficial. In terms of the chaos of an artist's life, it is far less than "Velvet Goldmine" and "The Doors". The shooting technique is ok, a lot of smash cuts, although a bit dazzling, it's still clear. In terms of overall level, music, and depth, it is still far from...
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Isac 2022-03-20 09:02:54
After watching "King Hall", I said that I had never seen such a musical, but I didn't expect that after watching "Jazz Spring and Autumn", I still had the same idea. Bob Fosse is really the king of choreography. How can there be a song and dance film that can integrate body language into the narrative like this. "Life is like walking a tightrope, and the rest of the time is waiting." The clips all reveal a desperate gamble on...
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Terrill 2022-03-19 09:01:09
Roy Scheider has made a lustful and talented director of a musical with both femininity and arrogance to the fullest. The stage art is extremely gorgeous, and the beautiful legs are a...
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Gideon 2022-03-19 09:01:09
The "eight and a half" musical film puts the life bearing pain and glory into a chaotic narrative, and celebrates the arrival of death with jazz music. After reading it, I feel that life is such a big...
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Stuart 2022-03-19 09:01:09
You are the Kubrick of...
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Mylene 2022-03-19 09:01:09
The protagonist in the film is a veteran Broadway director named Joe Gideon. He is imaginative, does his own way, and is full of talents. However, because he has not established lofty ideals and a correct outlook on life and world, the pressure of work and emotional indulgence make him discouraged and tired of the world. His health went from bad to worse, and finally in the song and dance of his work, Gideon hummed "Goodbye My Love" on the operating table and embarked on a road of no return...
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Mason 2022-03-15 09:01:10
Was this version cut? In short, Chicago is definitely plagiarizing this jazz spring and...
All That Jazz Comments
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Axel 2022-03-17 09:01:09
Floating like a dream
After reading it, there is only one idea, and I want to keep looping indefinitely until I get tired. Born as a human, but separated from flesh and spirit, floating life is just like a dream. With a song and dance as the curtain call for this death, narcissism and self-deprecation, gorgeous and...
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Jennifer 2022-01-29 08:08:19
For joy geometry?
A five-star rating is a bit high. But it's rare that it suits my taste so well. It's not an exaggeration.
The translation of Floating Life Ruomeng is really good. Although Li Bai's "Spring Night Banquet in Taoli Garden" is a work of coping. But it's just the beginning. Absolutely classic.
Actors...
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Joe Gideon: No, nothing I ever do is good enough. Not beautiful enough, it's not funny enough, it's not deep enough, it's not anything enough. Now, when I see a rose, that's perfect. I mean, that's perfect. I want to look up to God and say, "How the hell did you do that? And why the hell can't I do that?"
Angelique: Now that's probably one of your better con lines.
Joe Gideon: Yeah, it is. But that doesn't mean I don't mean it.
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Audrey Paris: OK, now, all I wanna do now is to read easily - easily through the script, and, frankly, I'm not too familiar with it myself. So if we go through it, then you'll give Paul and me some rough idea of what we've got. Okay, no - no acting. Everyone just take it easy. Easy. All right, lights up. Audrey, you have your first number, and then you begin reading on page - page two.
Audrey Paris: You see, Sammy, in California, everybody needs a car. I got a friend who bought a Mercedes just to get to the bathroom.
