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Francisca 2022-03-26 09:01:13
Why did they bother to make Nine? This is the 8 1/2 with a lot of splendid musical...
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Maxine 2022-03-26 09:01:13
A very unique musical, the figurative presentation of the characters' psychology, this is undoubtedly a reform and creation of traditional Hollywood musicals, and it can also be seen that "Chicago" has absorbed and learned from this. Another translation of the film, "Floating Life Like a Dream", is a good summary of the theme. Life is like a dream, and when you wake up, you are a hundred years old, returning to dust, without sorrow or...
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Damaris 2022-03-26 09:01:13
"All that work. All that glitter. All that pain. All that love. All that crazy rhythm. All that...
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Hildegard 2022-03-25 09:01:21
One of my favorite tunes is "Bye Bye Love" and the synopsis of "Jazz Spring and Autumn" is probably rather bizarre, but it feels like it was written by pure fans: "Fosse is the two musicals respectively. The screenwriter and director of the film version, his other famous work is this "Jazz Spring and Autumn". (In fact, as long as you pay a little attention, you can find many shadows of "Jazz Spring and Autumn" from the choreography of "Chicago", and "Chicago" The first song straight to the...
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Robb 2022-03-25 09:01:21
Bob Fosse transforms traditional Hollywood...
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Milo 2022-03-24 09:03:36
Miniature New York 48' - 53' 90' - end/byebye my...
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Brady 2022-03-23 09:03:16
Best private film history musical. 1. The cognitive process of death is compared and strengthened many times through the form of play within play. 2. Artist talent/private life, medical staff and stage characters have been split and overlapped many times. 3. Break free narrative and editing. 4. Stage mirroring. 5. Confession to the angel/floating away; "I don't get married anymore because I haven't met the woman I hate so much that I want to torture her with marriage". 6. Musical films, please...
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Bonita 2022-03-23 09:03:16
The humility and pride of the artist. The storytelling is fantastic, layer by layer, like an adventure. I am very impressed with the two dances. I will still remember many years later. The dance full of sexual hints shocked me, but it also broke through the second line of Ren and Du, and at the end, Kidon was at the extreme. The carnival ended for his life, the loneliness in the hustle and bustle was rendered very strong, and tears fell like...
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Shana 2022-03-23 09:03:16
Miniature New York 48' - 53' 90' - end/byebye my...
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Elinore 2022-03-23 09:03:16
Talking with the god of death, the creative anxiety of the scene in the play, the song and dance rehearsed by the dance studio was particularly good, but unfortunately there was no "performance" at the end. The ending is a bit lingering, and the design of surviving and dying is not very good, and it is long-winded. But from the perspective of the protagonist setting, this is the closest existence to me. The self-judgment outside the character narrative is like the director's confession outside...
All That Jazz Comments
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Daphney 2022-01-29 08:08:19
And All That Jazz
It's been half a month since I watched this movie, and my feelings finally came together into one sentence - this is Hollywood's love letter to Broadway, it's sincere, full of tobacco, alcohol and blood.
Because of Takarazuka, my feelings about All That Jazz are familiar, complicated and conflicted....
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Alana 2022-01-29 08:08:19
The stage is his ideal cemetery——Analysis of "Jazz Spring and Autumn"
Among the Hollywood genre films, there is a unique genre - musicals, and this "Jazz Spring and Autumn" belongs to an alternative musical. Different from traditional musicals such as "Song in the Rain" and "The Sound of Music", "Jazz Spring and Autumn" is more like a semi-autobiographical...
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Joe Gideon: No, nothing I ever do is good enough. Not beautiful enough, it's not funny enough, it's not deep enough, it's not anything enough. Now, when I see a rose, that's perfect. I mean, that's perfect. I want to look up to God and say, "How the hell did you do that? And why the hell can't I do that?"
Angelique: Now that's probably one of your better con lines.
Joe Gideon: Yeah, it is. But that doesn't mean I don't mean it.
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Audrey Paris: OK, now, all I wanna do now is to read easily - easily through the script, and, frankly, I'm not too familiar with it myself. So if we go through it, then you'll give Paul and me some rough idea of what we've got. Okay, no - no acting. Everyone just take it easy. Easy. All right, lights up. Audrey, you have your first number, and then you begin reading on page - page two.
Audrey Paris: You see, Sammy, in California, everybody needs a car. I got a friend who bought a Mercedes just to get to the bathroom.