A Snake of June Comments

Alexanne 2022-03-18 09:01:09

Blue filter, depressing, cramped, cold. "Women's part" is still a relatively normal love and sensuality story, but the director's psychosis has flared up since "Men's Part"... It is immoral to force the audience to be social...

Lyda 2022-03-17 09:01:09

So: abstinence is chronic...

Lionel 2022-03-17 09:01:09

The Japanese are really perverted and creative, and the crackling flashing lights in the heavy rain are very shocking (the heroine is very beautiful, the hero is really...

Daniela 2022-03-16 09:01:08

Black and white stories, blue rain, and strange...

Wilfrid 2022-03-16 09:01:08

This film actually strengthens the plot of AV and weakens OOXX; the photography editing maintains a consistent style, frantic and...

Nyasia 2022-03-15 09:01:10

Seemingly another typical male gaze centric, somewhat problematic (in today's standard) pink film took a sudden left turn. So after all, it was filmed in 2002. Can it be regarded as a commentary reversal of pink film? Although the tool of empowerment here is still the female body itself. The second half of the release is indeed more interesting than the previous pink, including lovecraftian imagery, and overtly invoking "film as voyeurism" by showing some surreal lynchian club scene. The...

Ambrose 2022-03-15 09:01:10

I just don't like Tsukamoto's arrogant attitude. He always writes, directs and acts above the so-called darkest and darkest part of human nature, magnifying the dirty side uncontrollably, and the camera is still aggressive and uncomfortable. The story, I feel disgusted when I see that big dirty...

Jeffrey 2022-01-27 08:23:46

Shinya Tsukamoto's best film! Although the two lines of husband and wife have their own problems, the wife turns too much at the end, and the husband deliberately incorporates the author's imprint (it is also related to the director going to play the strange man in person), but overall it can be said that a SOD plot has been refined to the Japanese. Depressed, morbid, and hopelessly erotically romantic at its extreme, with the imagery of wet and sticky enveloping water (the director says he was...

Delaney 2022-01-27 08:23:46

Shinya Tsukamoto, very powerful, black and white pictures, depressing close-up and space, very, very much water and desire, and eternal repression, very powerful, you can see that it is a very powerful movie just by watching...

Lindsay 2022-01-27 08:23:46

Sadness + paranoia + sexual repression, nationality is stuffed by Tsukamoto... The second half is great, especially the climax rhythm simulated with flash... Completely...