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Talia 2023-03-22 01:37:29
(It borrowed from the bubbles in "Tiger's Heart", and "Taxi Driver" borrowed from the previous two films.) "It's poetic and political at the same time." Again, it's not about making a movie about politics, but about politics. of filming. Godard continued Vertov's political tradition, and Rancière rediscovered Godard's politics. A day in the life of a middle-class married prostitute. Political reflection on life, fragmented, monologue,...
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Anibal 2023-02-21 16:51:02
This is one of my favorite movies...
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Dave 2022-11-28 02:09:15
(review supplement) « ELLE, la cruauté du néo-capitalisme. ELLE, la mort de la beauté moderne. ELLE, la Gestapo des structures. » (JLG, 1966)/Restauré par Argos Films, avec le soutien du CNC aux Laboratoire Eclair et LE Diapason./Séance présentée par Marina...
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Tamara 2022-11-22 11:24:00
The most sci-fi Godard. The star-studded construction site is the two sides of the city's rapid development and devastation. The faint and low-sounding off-screen babble is a constant noise in the brain. The machine is constantly running, along with the highly developed capitalism. The characters are as cold, fragile and boring as contemporary architecture, and even the accusations are lazy and decadent. Let language become a weapon, but it can only stab...
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Nolan 2022-11-03 15:31:55
Capitalism’s tuning of the European urban structure and consumerism’s secondary reconstruction of the value system have led to the obscuring of some characters outside the value system in the language structure, and these characters just have the function of revealing the ideological center, even if Words are present, but they cannot organize the code of meaning. Not everyone in society has a revolutionary consciousness. In the canvas, he can take on anyone's body at will, but in the real...
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Kamille 2022-10-02 05:36:21
1. This is one of Godard's most "anti-consumerism and consumer society images of women". We found that women's images and advertisements are the real foundation of post-industrial consumer society. Women's bodies are gradually being commercialized and industrialized. Women have to go and buy the means of production to make up for a feminine look, which is a real warning to women's lives today. Even today, women have really regarded themselves as factories, stuffed with all kinds of "carrying"...
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Wellington 2022-09-09 04:47:18
At the beginning of the film, the son asks what language is, and the mother replies that language is the house of existence. Excessive metaphysical discussion and estrangement from...
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Alisa 2022-09-05 00:02:14
Watching Godard's films always inspires me to read more, otherwise I'd know a thing or two about it. ....
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Kenton 2022-07-05 21:50:26
As far as the "good-looking" of the plot is concerned, this film is not as good as Godard's other works of the new wave period, but the bright and eye-catching color deployment (highly saturated blue, white, red, yellow and green, colorful circuit capacitors, clothing stores, car washes, pop industrial images such as illustrations) make at least half of the images pleasing to the eye. As culturally as [male and female], both share the qualities of a partially recorded interview. There are a lot...
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Deanna 2022-07-05 19:33:00
Why use an almost whispering male voice-over narration? For the audience who are already asleep, why wake them up. Why are such vibrant colors and beautiful composition used in the picture? For the other viewers who can keep their eyes open, of course, give visual feedback and...
2 or 3 Things I Know About Her Comments
2 or 3 Things I Know About Her quotes
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Juliette: No event exists in itself. It's linked with everything around it.
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Juliette: Maybe the observer of this spectacle is me.
2 or 3 Things I Know About Her
Director: Jean-Luc Godard
Language: French,Italian,English Release date: March 17, 1967