Yi-Ching Lu

Aletha 2022-04-19 09:02:56

A friend watched "Youth Nezha" and said that Aze's eyebrows would resemble me a little bit.

And the reason why I didn't read it before was just because another friend said it was all water, so I believed it.

Flowing, still, pouring, undercurrent.

For any one of the reasons, I watched it, and...

Rhett 2022-03-19 09:01:09

I often wonder, if I use a camera to track people's expressions every day, will they look depressed and unhappy? It was an expressionless expression, showing that there are too many unhappy people in this world.

Cai Mingliang is a director who likes to use metaphors very much, and as his debut film...

Elta 2022-03-25 09:01:21

It's quite interesting. The actors have tension in their bodies or faces, which are very good to shoot. There are many visual places in the environment. When a director in his thirties shoots actors in his twenties, wandering around the streets and deviating from the track of "tutoring", the world is empty and there is no longer any parental protection. Some young directors now have cameras in their hands but are middle-aged. It doesn't feel like the film is like 30 years ago, with a magical sense of age. Looking at the title, I thought it would focus on the parent-child line. Without parents, you can't be a Nezha. Chen Zhaorong and Wang Yuwen laughed to death on the street, they were full of nonsense and they loved youth. Hostility is often accompanied by intense curiosity and identification. Back to the extreme, is the "female" situation. Huang Shujun's music is a bit dark and snickering

America 2022-04-21 09:03:30

Although the story is well told, the intersection between Xiaokang and Aze is a bit too weird (?) In comparison, I prefer the second part of the "Water" trilogy. Of course the film still has very few lines, the result of the last long shot. It's a director's trait.