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Clifford 2022-03-21 09:03:28
To the past - the era of hard bridges and hard horses
One of the many bright spots in the police story is that among the three old men who met Jackie Chan at the beginning, the one sitting in the middle looks like Deng Gong, and in the Mandarin version, his accent is Sichuan dialect, and Deng Gong is a Sichuanese. It's obviously implying...
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Green 2022-03-19 08:01:02
Roadway's Undercover Story
Police Story 3 - Super Police Filming In 1992, this film ranked 46th among the 50 highest-grossing Hong Kong-produced films in Hong Kong history, with a box-office revenue of HK$32,609,783. The success of the box office still could not obliterate the most uneasy time for Hong Kong people in those...
Wong Yue Man
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Wellington 2022-03-20 09:03:08
This piece of work continues Jackie Chan's usual style: exciting fights, life-threatening stunts, and occasional gags. At the same time, the vision in terms of pattern and scene has expanded a lot compared with the previous two episodes. The style conflict between Hong Kong police and mainland police represented by Jackie Chan and Michelle Yeoh brought enough jokes. In general, the first half is a lighthearted and funny style, which can be called a comedy; after a few people arrived in Malaysia, the style changed to a wonderful action film.
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Josiane 2022-03-21 09:03:28
[B+] I thought that the director would be out of tune after changing to Tang Jili, but the result didn't seem to be so bad. The third part identified the entertainment model accumulated in the first two parts, and looked beyond Hong Kong, and introduced a key mainland perspective in line with the state of mind before the return. The first 40 minutes of the mainland segment still maintains the high level of the series, whether it is action design or comedy choreography, and a new female role of Michelle Yeoh was added to dilute Jackie Chan's action scenes. However, in the second half of the Golden Triangle and Malaysia, there is nothing to do. The "internationalization" is just a cheap option used to cover up the weak story and the decline of the scheduling level, and Maggie Cheung's "Ami" is also changing the style of this blockbuster. He was completely reduced to a tool man, and the attempt to enrich the characters in the second part was completely in vain. Although every time I see the ending credits, I will sincerely admire it, but the lack of pure action scenes like the first part is still regrettable.
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Chan Ka Kui: [after breaking Panther out of prison] Okay, now down that road is a small village that leads to a town.
Panther: Okay.
Chan Ka Kui: [prepares to leave] Good luck.
Panther: [puzzled] Where you going?
Chan Ka Kui: Huh? They payed me $2,000 to get you out of there. The rest doesn't interest me.
Panther: Listen, I like you. You're a good man, and I could use someone like you. I'll take you to Hong Kong for something big.
Chan Ka Kui: [shakes head] Hong Kong's too far, forget it. Just give me $500 more.
Panther: Here I haven't any money. But in Hong Kong, I've got millions - millions! I'll give you $100,000 when we get there. It's a deal?
Chan Ka Kui: [thinks about it] All right. Once we're in Hong Kong, I want $100,000.
Panther: Hmm! Count on me.
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Insp. Y.K. Chen: Don't worry, the Chinese Public Security people will extend their full cooperation.
Uncle Bill: That makes me worry even more.
Insp. Y.K. Chen: Uncle Bill, say something cheerful, will you?
[to Chan Ka Kui]
Insp. Y.K. Chen: Good luck.
Uncle Bill: In fact, the Royal Hong Kong Police are flying Ka Kui like a kite for this mission. It may break when the wind is gusty.
Insp. Y.K. Chen: Don't make such a depressing comparison.
Chan Ka Kui: It'll drift back if the string breaks.
Insp. Y.K. Chen: See? Ka Kui is up to scratch as I said.
