William Shimell

Abigayle 2022-03-28 09:01:14

I haven't watched the movie for a long time. I'm so lucky. I recommend the legal copy of Abbas. It's amazing. I watched four Abbas's Cherry Taste and Gone With the Wind. The most admired is really amazing. I think of the shock when watching the sacred car dealership. The expression is nested. From...

Isobel 2022-04-23 07:05:40

"MMM-Marie!"

She told James how much she envied her sister Marie's happy marriage. When Marie's husband called her like that, the air was filled with love that made the Tuscan sun look pale. But James understood the illusion of originality in both artistic world and the human relationships. He had...

Naomi 2022-04-04 09:01:07

[Exhibition at the China Film Archive] Film version. Forgive my stupidity, I didn't understand the relationship between the hero and heroine until the end of the movie. couple? ex-husband? Father and daughter? ... In fact, it is a pair of men and women who meet for the first time, practicing the theory of the male protagonist: imitations are also valuable. In the film, the Bai language is even involved in the narrative. The switch of the male and female protagonists to the Bai language is also a switch of identities. Long shots are Abbas. Chatting and follow-up are reminiscent of Love in the trilogy, which is comfortable to watch

Ashtyn 2022-03-27 09:01:23

After reading Juliet Bino's "Love Dialogue", the brilliant love dialectic once again highlights the difference in thinking patterns between men and women. When love is gradually smoothed out by life, men think that it is only a matter of changing the way of love, but women think that it is a matter of love and not love. Although everything should be viewed from a different angle, men don't understand that once a woman changes her attitude towards love, she also changes her determination to love. Because love is a dialogue, not a monologue, a feeling, not right or wrong.