Vasilisa Perelygina

Tina 2022-01-21 08:01:37

A feature film that reflects the war from the side. Although it was very depressing to watch, it was really a good film. The story takes place in a post-war hospital. The war is about to end, and everything seems to be restored to the original state, but there are countless people who have...

Daija 2022-03-21 09:03:08

Hearing that the archives put this film, cut it and enlarged it, all kinds of groups are rushing to transfer tickets, and no one asks for the price. After being cut and enlarged, from the perspective of the picture, it does not affect the understanding at all. This film is fierce and true.

Because...

Kenton 2022-04-21 09:03:12

9.5/10. After reading the promo and half of the script, I am amazed, and I am not disappointed at all after watching the movie. The debut performances of the two leading actors are wonderful. I didn't expect Sasha to be such a comedic existence. Masha suddenly confessed his life experience at Sasha's parents' house and felt that his emotions had not accumulated enough. Iya's twitching is a wonderful setting. The little boy died prematurely and was reluctant to part with his drama. The morbid and shadowy lace romance left over from the war is beautiful and poisonous. The child has never seen a dog, the paralyzed soldier begs for death, Masha begs for a child like a demon, the green skirt spins a glimmer of hope for the future, and hope is not completely miserable. Iya is weak, kind, frightened, and lovable, and Masha's sophisticated smile is heartbreaking. Great car accident. The last sentence of the script is Iya's "yes", forced to say, but "yes". This confidence comes from nothingness. It doesn't feel long at all, just right. The aesthetic is really good to jump! From the beginning to the end, I felt that this should be in the main competition, and several official selection films were neither painful nor special (fall). Looking forward to meeting the director soon. The film premiered at the Cannes Film Festival. 05/16/2019

Norval 2022-04-21 09:03:12

In the film, it is gradually clear that the behavior of begging for a child, and the ambiguous relationship with women are also a kind of sustenance for consolation. This kind of starting point is a bit strange (after all, compared to the hopeless post-war life, the same-sex theme is too modern, see The film was even more attracted by the wordless relationship between the two), which can be regarded as an artistic technique of the supremacy of human nature; this film also shows the necessity of the successful theme content of the exhibition: national characteristics (Russian oil painting-style set, war trauma) +The subject matter of current affairs (women, LGBT), from this point it is difficult to ignore and need to discuss the meaning of the topic shown in the film, and it is also a model for reference when we need to consider "succumbing" to reality when creating;