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Samara 2022-03-24 09:03:49
Haneke's films are always quiet in the front, and explosive in the back.
I always like to watch Haneke's films,
although I always watch it with the intention of watching super boring films,
but he can always be bloody in the second half of the film.
Many boring films are far more shocking
than crime and action films.
"The Seventh Continent" tells the three-year life of... -
Tamara 2022-03-16 08:01:01
He's His Own God: Haneke and the Glacier Trilogy
An article about the movie "Glacier Trilogy" written in March this year should be posted in the comment area of "The Seventh Continent".
Most of the quotes are from the interview book "Haneke on Haneke". This book has also recently been released in the mainland Chinese version. Those who are...
Udo Samel
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Hollie 2022-03-16 09:01:09
Horror film. Using positive and negative hits to cut off the connection between characters, block all emotions with close-ups of objects, and downgrade "people" to vassals of "objects", and the sound design extends the space outward, which aggravates the isolation and helplessness of "people". The state, a few seconds of shady curtains that suddenly lay above the flowing emotions cut off the thread of empathy. While inheriting Bresson, Haneke's lens has a kind of viscous "inertia", and the insensitivity of the character presentation also forms an intertextuality with it. The stacking of mechanically cold and meaningless bridges spreads the feeling of numbness and emptiness, and uses space/camera to erect high walls of the prison, so that the cathartic domination of "people" over "objects" turns into a struggle to question the innermost (Like a lens) has long been empty, the only close-up of the lens from "object" to "person" is actually the character's self-destruction. The fish needs the captivity of the fish tank, the people need the captivity of the objects, the image and the audience need the captivity of the camera, and in the last scene, the camera is high above and proclaims its dominance - through captivity, it directs a double destruction of the fish and the net. Haneke has insight into the essence of life, and also the essence of "shooting". 9.4
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Nolan 2022-04-24 07:01:25
Worthless lives will eventually go to destruction
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Anna Schober: Four days ago, at the beginning of the month, Georg started in his new position. It took him a lot to get there. You might remember that when he first started, his new boss didn't like him at all. But now he's made it. He brought new inspiration to the department. So when his boss fell ill with an intestinal problem and was off sick more than at work, Georg was asked to take over the department provisionally. His boss is retiring soon anyway. Georg's appointment as head of department is just a formality now. You have every reason to be proud of your son. Alexander is much better. He went on a cruise to Scandinavia which did him a world of good. He sends his regards. Georg's senior boss Dr. Breitenfels is coming for dinner tonight. This is our way of thanking him for his party two weeks ago where Georg's new position was unofficially confirmed. His boss is a real gourmet, so I'll have to cook something extra special. I'll try your stuffed duck recipe, Mother. Wish me luck.
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Anna Schober: Have you gone mad?
Evi Schober: Have you gone mad? Why?
Anna Schober: Why? How come you say you're blind? Are you mad?
Evi Schober: I didn't.
Anna Schober: You didn't? Your teacher made it up? Answer me.
Evi Schober: I never said that.
Anna Schober: Look at me. Come on, tell me, did you pretend to be blind? Come on, tell me. I just want to know the truth. Come on. Don't be afraid, I won't hurt you. Is it true? Did you pretend to be blind?
Evi Schober: Yes.
[Anna slaps Evi in the face]
