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Oskar: How old are you?
Eli: Twelve... more or less.
Eli: What about you?
Oskar: Twelve years, eight months and nine days. What do you mean, "more or less"?
Oskar: When's your birthday?
Eli: I don't know.
Oskar: Don't you celebrate your birthday? Your parents... they've got to know.
Eli: [Eli looks down on the ground]
Oskar: Then you don't get any birthday presents, do you?
Eli: No.
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Eli: [standing outside the door] You have to invite me in.
Oskar: What happens if I don't? What happens if you walk in anyway?
[feels the air between himself and Eli]
Oskar: Is there something in the way?
Tomas Alfredson
Tomas'Sputte' Alfredson (Tomas Alfredson), born in Stockholm, Sweden on April 1, 1965, is a Swedish director, screenwriter, producer and actor.
In 1994, directed his first film "Bert". In 1999, he served as the director of the comedy film "The Last Section". In 2004, directed the comedy film " Four Shades of Brown ", which won the Swedish Film Academy Golden Beetle Award
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. In 2008, the horror film " Let the Right One In " directed by him was released
[2]
, which was nominated for the 63rd British Academy Film Awards-Best Non-English Film Award
[3]
. In 2011, directed the thriller film " Tinker "
[4]
, the film won the 65th British Academy Film Awards Film Award-Best British Film Award
[5]
, with which he was shortlisted for the 65th British Academy Film Awards Film Award-Best Best Director Award
[5]
. In 2017, directed the crime thriller film " The Snowman "
[6]
. In 2019, directed the feature film "Jönssonligan".
Personal Life
family
Tomas'Sputte' Alfredson was born in a Swedish film family. His father Hasai Alfredson is a Swedish comedian, screenwriter and director, and his brother Daniel Alfredson is a Swedish director.
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emotion
Tomas'Sputte' Alfredson has two children with his ex-wife Cissi Elwin. She is the director of the Swedish Film Academy.
Character Evaluation
Tomas'Sputte' Alfredson is a director who grew up under the nurturing of the Swedish national film industry and is deeply influenced by the Swedish children's film tradition. This makes his movie world always full of lonely children, broken families, lingering despair and sadness, and permeated with a strong sense of empire. Whether it is the vampire legend in the movie "Let the Right One In" or the spy story in the movie "Tinker", he has handled it by shooting children and family-themed movies. He has always insisted on viewing the world he lives in from the perspective of a Swedes, so that his works are always permeated with a strong Swedish style. Therefore, the dialectics of nationality and cosmopolitanity has the most vivid expression in his films.
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Extended Reading
