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Brain 2022-03-26 09:01:14
ghost psychology
Brunette:
It seems that there are many stories in China and Japan about samurai and scholars who yearn for the upper class life and abandon their wives to marry the daughters of big families;
The warriors and scholars here are in a special social class, with a certain status and the potential to...
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Shana 2022-03-13 08:01:01
The wind is about to stop, the water is about to stop, the people are still
Lin Yu is as dusty as water in the mountains, like a vast expanse like a dream yarn. Passionate and showy rain, the mountains are broken, climb the sloped building to see the spring flowers.
Although it is somewhat similar to the Yiren that I have misinterpreted, it is a romantic ice flower...
Tatsuya Nakadai
Tatsuya Nakadai (なかだいたつや), born on December 13, 1932 in Tokyo, Japan, is a Japanese actor. His performances cover stage plays, movies, TV series, etc., and he has many collaborations with famous Japanese directors such as Wind Man and Hideo Gosha .
He made his debut on the screen in 1954 and played a ronin with no lines in " The Seven Samurai ".
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In 1957, he played the protagonist for the first time in "Black River" and won the Makers Association Newcomer Award that year. In 1980, he starred in " Kagemusha " directed by Wind Man , and won the Best Actor Award of the "Blue Ribbon Award" in the "Daily Movie" that year
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. In 1985, he starred in " Ran " directed by Wind Man . In 2015, starred in the TV series " Broken ".
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Since Tatsuya Nakadai started filming, he has more than one hundred works, many of which are excellent. Its performance style is bold and bright, unique in the Japanese film scene and deeply loved by people.
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Early Experience
Tatsuya Nakadai was born in 1932 in a poor family in Meguro District, Tokyo. He entered the actor training institute in 1952. The part-time and part-time career as a teenager laid a solid foundation for him to portray various roles in a broad theater. He made his debut on the screen in 1954
and played a ronin with no lines in " The Seven Samurai " .
Performing Experience
In 1954, Tatsuya Nakadai made her debut on the screen. Tatsuya Nakadai appeared in Wind Man's " The Seven Samurai " for only three seconds. He played a samurai ronin wandering the street without a single line. Nakadai graduated from the training institute in 1955 and officially joined the Haiyuzao as an actor . In the autumn of the same year, for his successful performance in Henrik Ibsen 's famous play " B-2 Spirit ", he won the "New Play" Award from the White Water Club. Subsequently, the actress of " B-2 Spirit " recommended Nakadai to her husband Umeji Inoue , who was the director , and Nakadai was awarded the 1956 movie ""(Directed by Umeji Inoue), an important supporting role, officially appeared in the film industry. In 1957, Nakadai played the leading role in Masaki Kobayashi's " Heihe " for the first time, and won the Makers Association Newcomer Award that year. In 1959, he married Miyazaki Kyoko, who was also an actor.
In 1959, Nakadai's six super large works (screened in 1961) in Masaki Kobayashi (total screening time is about 10 hours) ""Playing the protagonist in ", the work (original: Gomikawa Jumpe ) took more than one and a half years of photography, and Nakadai showed admiration for the director's acting skills. In 1961, due to"The End" won the "Daily Movie" Best Actor Award. In the same year, Nakadai's film "Beast Damn" was released as a criminal. At that time, various film companies were negotiating with Nakadai, hoping to sign an exclusive contract with him.
On the other hand, "Key" (1959) directed by Ichikawa Kun, "Mother, Wife and Mother" (1960) directed by Mikio Naruse , " When a Woman Ascends the Stairs " (1960), directed by Masaki Kobayashi "せっぷく" (1962) (won the " Blue Ribbon Award " for the best actor award for the film ), "Ghost Talk" (1964), " Samurai Rebellion " (1967 ), " Sorrowful Plains " directed by Toyota Shiro (1963), "Yotani Tales" (1965), "The Murderer Era" (1967), etc. Nakadai exemplarily worked closely with Japan's best directors. In 1968, Nakadai also participated in the performance of the Italian movie "The Beast Died at Dawn", playing the role of a Mexican and Indian American villain. In 1970, Nakadai played the protagonist in the originalやまさきとよこ, political and financial films directed by Satsuo Yamamoto , "The Gorgeous Clan " (1974), and "The Barren Zone" (1976). Nakadai did not sign an exclusive contract with the film company, but his performance in Toho Cinema was the most outstanding.
In 1972, Nakadai played the role of Kiyomori Hei in NHK's big river drama "しんへいけものがたり", even after Kiyomori became a monk. Nakadai really shaved his hair before finishing the role.
On November 6, 2019, Tatsuya Nakadai won the Lifetime Achievement Award, the main competition unit of the 32nd Tokyo International Film Festival .
Personal Life
Born in a poor family in Meguro-ku, Tokyo on December 13, 1932, his father was from a farm in Ibaraki Prefecture and was born in Nakadai Tadao, who ran a self-employed taxi company in Tokyo, and his mother was Aiko, a pharmacy clerk in Gotanda Komachi. Tatsuya Nakadai was very lonely when he was a boy, and only had a younger brother after the war. After graduating from Qingnan Elementary School, he continued his studies at Beifeng Industrial School and Tokyo Juki School. After the school system reform, Nakadai graduated from Tokyo Metropolitan Chitose High School (now Tokyo Metropolitan Ashika Colleges and universities).
Nakadai watched Haiyuza's performance and was shocked by Chida Yoshiya's acting skills. In 1952, after graduating from high school, Nakadai entered the Haiyuza Training Institute as the fourth student. The contemporaries included Sato Kei, Sato Yoro, Nakatani Ichiro, and Utsui Ken. While working in a bar, Nakadai devoted himself to actor training. This period of part-time work and part-study career laid a solid foundation for him to portray various roles in a broad theater in the future.
Character Evaluation
Masaki Kobayashi's review
Masaki Kobayashi : "Nakadai-kun has the genius to portray two different generations of people. When I filmed " Conditions of the World ", most of the actors were from the pre-war or mid-war generation. I wanted to find someone who could perform the new generation. Feeling. Nakadai-kun was able to convey the emerging, strong and energetic side of young people after the war... Although he is very young, Nakadai-kun has a solid theater foundation. I think he still compares the traditional new drama background with our post-war generation. One of the few actors with a combination of living energy. Therefore, he can truly and powerfully interpret the two generations before and after the war."
Wind Man's review
Tatsuya Nakadai in "Ran": "What I asked him to do-he did it perfectly in the end-was to freely transition between stupidity and wisdom. It is very difficult to move back and forth between the two states in the same scene. One of the most difficult scenes was in the castle. He started to go crazy, and the flames spattered behind him. No other actor except him could do it. We were shooting on the set, in a very hot environment, and the crew members were all sweaty. It was soaked and the actor's makeup was broken. The flames hit the ceiling and the whole house was on fire. His performance required a lot of control to do..."
"There are no words or even too many physical actions. He has to convey how the most powerful will and the greatest soul came to collapse. He watched his castle swallowed by fire and smoke, and then step by step. Walk down the steps more than a foot high. I asked him not to stagger or look at his feet. Every time I rehearsal, I try it myself, and I have to support two or three people. When the filming was officially filmed, the castle was real. It’s burning, we can only take one shot. If he falls, it will weaken the strength of the scene, but we can only accept it. As a result, Tatsuya Nakadai did it too perfectly, he didn’t make a mistake even a small step, his eyes were bleak No light, like a real sleepwalker or a lunatic."
Sato Tadao's Evaluation
Sato Tadao : The most popular actor for playing the role of a hero: Susumu Fujita (the actor of Shisanshiro) plays a soldier, but he can give people a feeling: a "stand at attention" command, as long as you don't say "take a rest" , He can stand for a day or two, nailed in place and motionless. As for the number one hardcore actor in the early post-war period, the audience would choose Toshiro Mifune without hesitation. Compared with Susumu Fujita, the hero he plays is more flexible and autonomous. The hero he plays gives people this feeling: perseverance, always desperately seeking a goal, not afraid of sharp arrows or bullets, and regards death as home. If someone's "stand at attention" order is unreasonable, he will give the orderer a fierce look, but he will stand at attention when he does things. The hero played by the post-war actor Tatsuya Nakadai will be more flexible-he will stand at attention with a command. However, his stomach was thinking about how to rebel. So, three decades on behalf of Showa (1955) on behalf of the hardcore actorいYui ji shi wa ra ro u u
so what? He is fat and slow to move. However, like a basketball player, he kept hunching his back, swinging his long legs and shaking his upper body. , The lines are spoken intermittently. This is Ishihara's most proud performance when he first entered the film world. In other words, he thinks the word password is rustic. He still hasn't heard anyone give him a password. At the same time, an actor who plays a hardcore role has different physical movements and inner feelings. This evolution also reflects the evolution of the image of tough and tough guys imagined by people in all ages.
Hark Tsui's review
Hark Tsui :Why did you choose Tatsuya Nakadai to play Yuan Dazongin " The Wicked City " (Originally in English): I want a powerful actor, and he is the only one who pops out of my mind. He is a very dedicated actor , I read the script carefully and exchanged my understanding of the role. We communicated very well.
Since the filming, he has more than one hundred works, many of which are excellent works. His performance style is bold and bright, which is unique in the Japanese film scene and is deeply loved by Japanese audiences.
Extended Reading
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Bethany 2022-03-15 09:01:11
① Kobayashi Masaki's ukiyo-e-like surreal set is complemented by Takemitsu Toru's extremely stylized soundtrack. ②Although the film uses many western expression techniques, the charm and implication shown are extremely authentic Japanese traditional culture. ③ The way of telling a story is more charming than the story itself: the atmosphere that is both phantasmagoric and real, and both imaginary and real, can push the charm of "strange stories" to the extreme without more drama.
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Morgan 2022-03-28 09:01:13
In fact, only the story of Wuerfangyi is not bad, but it is really faithful to the original.
