Tatsuya Mihashi

Courtney 2022-01-20 08:03:36

This film is really a model of conveying things and expressing aspirations. There are many silent plots in it. Thoughts and feelings are conveyed through things, which are interlinked and naturally exquisite.

This film is also very ideological. In the end, Mizushima's letter answered the reason why...

Lottie 2022-01-20 08:03:36

The film I watched a few years ago was picked up again by coincidence, and I was lucky enough to read the script.

It can...

Casimer 2022-04-19 09:02:44

I don't know if it is adapted from real events, but it looks at the war from another angle. The temples in Myanmar are also quite distinctive, and it can be over after playing a song outside the prisoner of war camp. It's a pity that the director was afraid that everyone would not understand it, so he made up a letter, which is a bit of a dog's tail...

Iva 2022-03-17 09:01:08

A lot of lyricism; Ichikawa-kun’s humanistic care; symbolic characters: a monk with a parrot standing on his shoulders and a harp in his hand, a Japanese soldier who persists, a corpse with no burial ground, a kind old woman with a bamboo basket above her head, white and tender Tender and sensible as the captain of the movie lead. The film style is completely different from the contemporary Kurosawa Akira and Kobayashi Masaki. It looks more like a narrative lyrical movie, which uses the group as a foil to describe the individual and express the theme in detail.