Takuya Ishida

Takuya Ishida

  • Born: 1987-2-10
  • Height: 5' 7¼" (1.71 m)
  • Extended Reading
    • Jennings 2022-03-24 09:02:25

      selfish age

      I don't like the heroine very much, because I only want the three of them to be together and ignore other people's feelings. In order to avoid Qian Zhao's confession, I frequently roll back and forth, and play the person who likes me like a monkey? It wasn't until he was with his good friend that...

    • Eryn 2022-01-02 08:02:04

      The girl who travels through time and the girl who travels through time and space

      Through time and space girls and girls across time and space

      Bo Bangni

      we have some cut-off point in everyone's life. When the memory got there, it stopped. Of course, we are always going forward and have to go, with all the glory and brokenness and peace and happiness going forward. But you know,...

    • Glenna 2022-01-02 08:02:04

      I like the style of painting. There is no need to delve into the messy logic behind the setting of time travel. The film actually only says one thing: Time waits for no one. Do what you like and love the people you love. You must go now and run. If the opponent is late, you have to run to meet him. Time doesn't wait for me, just seize the day.

    • Glenna 2022-03-27 09:01:12

      The logic of Japanese-style youth films under the packaging of science fiction is actually quite chaotic and cannot stand scrutiny, but this is not important, what is needed is a clean and bright adolescence, but a slightly sad and lost feeling. It is very similar to the marriage proposal battle, and even the core image of running is the same (a marriage proposal is to run after crossing, and a girl is to run before crossing). The style maturity is not as high as the two works of Hosoda Mori, but it is still fascinated.

    The Girl Who Leapt Through Time quotes

    • [Chiaki just asked out Makoto and to avoid it, she leaps back to a conversation with Kousuke that happened a few minutes before. Upon landing, she clangs her head against a sign]

      Chiaki Mamiya: Uh, what the hell are you doing down there?

      Makoto Konno: Nothing at all.

      Chiaki Mamiya: Don't come crying to me when you change your mind too late about dating that girl.

      Kousuke Tsuda: Can we please just drop it now?

      [Turns and walks away]

      Chiaki Mamiya: See ya!

      Kousuke Tsuda: Later!

      Chiaki Mamiya: Hey where's your bike? Get on, I'll double ya.

      Makoto Konno: [Swallows nervously, remembering what happened before]

      Chiaki Mamiya: [Riding the bike home, with Makoto on the back again] That loser Kousuke, beat me to it.

      Makoto Konno: It's not as if he decided to go out with her.

      Chiaki Mamiya: That's what he says now, but I bet if he got a girlfriend then he'd always pick her over us.

      Makoto Konno: You can't be sure about that.

      Chiaki Mamiya: Oh man, without Kousuke, we'd only be able to toss the ball around.

      Makoto Konno: Why do you give the poor guy some credit and deal with it IF and when Kousuke does start seeing a girl.

      Chiaki Mamiya: Well, there's not much we can do if it happens. Anyway, how about you go out with me?

      Makoto Konno: Like I said, why are we talking about this?

      [Leaps back in time again to avoid being asked out]

      Chiaki Mamiya: [Riding the bike home, with Makoto on the back again] That's what he says now, but I bet if he got a girlfriend then he'd always pick her over us.

      Makoto Konno: Hey, did I ever tell you what a total idiot my little sister is?

      Chiaki Mamiya: Uh, I was talking about Kousuke in case you didn't notice.

      Makoto Konno: Forget him, let's talk about my sister.

      Chiaki Mamiya: So anyway, if Kousuke finds a girlfriend...

      Makoto Konno: LET ME TELL YOU ABOUT MY SISTER!

      Chiaki Mamiya: DO YOU WANNA GO OUT WITH ME?

      [Makoto leaps back yet again and realizing that Chiaki is going to ask her out despite her trying to change the conversation, she proceeds to walk home to avoid it altogether]

    • Chiaki Mamiya: There was a painting I desperately wanted to see. No matter how far away it was or what sort of place it was in. No matter how dangerous. I wanted to see it. Unfortunately in my time the painting had already been destroyed and before these times its whereabouts were unknown. The only place where there was an accurate record of it was in this present era, in this place. It was here, in this season. All I needed was to see it. I was going to remember it for the rest of my life.