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Destin 2022-04-20 09:02:33
Burning, looking forward, like a sacrifice, a suffering. [From Li Zongheng's film review]
A friend once asked me why I couldn't understand some movies. I said, "understand" can be divided into many kinds. Many movies are not based on conventional narratives. This is like literature. A poem will be in the form of a narrative essay or manual to write? But you can still understand what the...
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Helga 2022-04-19 09:02:55
The movie is still good
The movie is still good. It's just that the viewability is really not high. After watching the whole film, people are exhausted to death. When I saw the middle, I kept questioning myself whether I knew what these people were talking about and what the director wanted to say. It's really tiring,...

Sven Wollter
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Alta 2022-03-19 09:01:09
Alexander is more selfish than Dominic in Nostalgia. Despite the power of the film's long takes and mise-en-scene, the film flows as a spiritual confession under the apocalypse. This feels tedious and overwhelming. Since the old tower was expelled from the Soviet Union, the two feature films seem to have lost more than the native language that once relied on the film to survive. Such exile only brings false freedom and more unnecessary thinking to the old tower.
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Neoma 2022-03-21 09:03:16
After the sacrifice of SIFF2016, it is the rebirth of hope. The last work of the old tower is very depressing. Even with the beautiful scenery of Faroe Island, it seems to be covered with a layer of fog by the old tower. Most of the film is surrounded by the fear and confusion of death, the fear of nuclear war, Deep disappointment with the Soviet Union, and a torch at the end, and the hometown is no longer connected.
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[first lines]
[sub-titled]
Alexander: Come here and give me a hand, my boy.
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[last lines]
[sub-titled]
Gossen: In the beginning was the Word. Why is that, Papa?