-
Jacklyn 2022-01-08 08:03:42
The plot can be finished in one paragraph
The set singing and dancing is really beautiful. It is the first time I have seen a floor decorated with colorful windows and exquisite wrought iron reflections!
The three protagonists are really so handsome, but why are the supporting roles so unattractive? Especially the big search. . .
After... -
Ethyl 2022-01-08 08:03:42
Death by Rejoicing-Contribute HD screenshots
Many parts of the plot are not very understandable. The male protagonist did not see any merits that could provoke the unreserved love of two peerless beauties.
The singing and dancing are really exquisite. You have to watch it in HD to realize how exquisite this work is.
Take a screenshot to...lMadu

Smita Jaykar
-
Derick 2022-03-15 09:01:05
I can't read it. . . The buildings inside are really beautiful~
-
Bernhard 2022-03-14 14:12:25
6/10. It is an important plot for Devdas to see his sweetheart after a ten-year absence. This scene perfectly combines the colored glass around the open-air courtyard with moonlight. The candlelight is projected on the beauty of Paro in his sleep, and Devdas’s hand touches the wick. , Under the softly panning camera, this lamp of love lasts longer. The portrayal of marriage customs and official prostitute culture highlights aristocratic gorgeousness. Paro wears gilded red sari, auspicious moles on his forehead, and painted patterns on his hands. Relatives and friends keep pouring rice on the couple. The bride and groom in the middle of the wedding shed offer sacrifices to the god of fire, a festive ceremony. It contrasts Paro’s helpless compromise with the caste system in order to survive. The brothel emphasizes luxury through crystal candlesticks, courtyard fountains, Persian carpets and arches. The singing and dancing of courtesans is strengthened with visual symbols such as footbells and rotations, which is like heaven. Luxury also cannot conceal the cruelty of the caste system. Unlike Paro’s compromise, Devdas resisted this cruelty by self-destructive water burial and self-destructive burning of family properties. The most vivid interpretation of compromise and self-destruction is at the end. Devdas, who was dying under the tree, induced Paro to come, and the door blocked the final reunion of the two, full of angry complaints.
Related articles
-
Devdas Mukherjee: Chandramukhi, I can't say how the gods of virtue will judge you. But, I do know if I meet you again, in another life, I will not be able to resist you.
-
Devdas Mukherjee: I object!