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Jazmin 2021-12-23 08:01:44
Dead man's shoes
To put it simply, this is a story of revenge. The two brothers were bullied and the elder brother avenged him. At the beginning, it was the simple style of handheld camera, and then brought a lot of noise to prevent it from the effect of the old-fashioned camera in the 1980s. The voice-over is a...
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Neva 2021-12-23 08:01:44
just a joke
Everyone is just looking for a happy life, a group of small gangsters and old gangsters in a closed world full of drugs, showing more of a negative nature. Self became a tool to experience drugs, and the younger brother was just treated as a pet. From instigating him to call the leaves to the prank...
Shane Meadows
Shane Meadows (Shane Meadows), born on December 26, 1972 in Uttoxeter, Staffordshire, England, is a British director and screenwriter.
In 1996, directed his first film "Ronnie, where is the money?" ", thus starting his career as a director. In 1997, with the comedy film "247" won the 54th Venice Film Festival Fabian Award. In 2002, directed the romantic comedy film " Once Upon a Time in the Midlands ". In 2004, directed the thriller film " Dead Man's Shoes "
[1]
, which was nominated for the 58th British Academy of Film and Television Arts Awards Alexander Kodak Award for Best British Film. In 2006, directed the crime film " This Is England "
[2]
. In 2008, he wrote and directed the comedy film " Somers Town "
[3]
; in the same year, he won the Empire Film Award for Outstanding Contribution to British Film
[4]
. In 2010, the directed British drama "British 86" premiered, which won the Best Miniseries at the 65th British Academy of Film and Television Arts Awards
[5]
. In 2013, directed the music documentary "The Return of the Stone Rose ". In 2015, directed the TV series "British 90".
Character Evaluation
Shane Meadows's works rarely directly involve socio-political issues, but are markedly branded with personal memory and growth experience, but this does not mean that "kitchen sink" has thus become a neutral expression of depoliticized space. Based on reflective space, identity and media consciousness, Shane Meadows’ films actually present youth subculture in the disintegration and reconstruction of working-class community culture. It is not only a historical narrative with the dual nature of identity and problematic, but also It also projects the imagination of the future and alternative possibilities. All of his works are stories about subcultural groups such as young ruffians, troubled teenagers, and bald boys. Most of the stories are in small towns or suburbs in central England including Uttoxeter in his hometown of Stadeshire. For the back .
Extended Reading
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