Sarah Born

Vincent 2022-01-15 08:03:12

There have been so many things happening in society this February, so that every time I want to write something, I can’t settle down and finish it.

I haven't watched many movies recently, and I am immersed in the lazy game world all day long, trying to calm my irritable emotions to escape the bad...

Elissa 2022-03-23 09:03:02

Malick's previous works have been exploring and questioning various "meanings": "The Tree of Life" seeks the meaning of life and history, "To Wonderland" attempts to explore the eternity of love, and "Knight of the Holy Grail" questions the lives of stars the truth. If these works revolve around...

Mervin 2022-03-26 09:01:11

I am not such a person. It reminds me of Bruno and Copernicus. Bruno would rather be burnt to death to defend the truth he identified. Copernicus was more than a chicken thief (seemingly derogatory and praised), and chose to publish his heliocentric theory after his death. I am afraid of death, if I can choose, I will choose to be Copernicus.

Alyson 2022-03-19 09:01:08

C / Malik's lens always seems to be fluid, soft, and constantly penetrating the horizontal sides of the painting. Therefore, even when depicting the characters at the most painful and oppressed moments, he also gives them extended respite with the divinity of images. However, the creation of this kind of space has never escaped the risk of homogenization and lyricism. The most breathtaking things in this film are the moments when a vertical viewpoint is constructed: the prison is truly inevitable, and the sky is no longer broad and only the question of faith is left. In a world where everything is trying to connect seamlessly, occasional breaks are more needed-just like Franz was the break site of that era.