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Edmund 2022-02-02 08:02:37
Intercultural Communication Issues in Gentleman's Agreement
Gentleman's Agreement is a movie that tells a story about a journalist's experience of pretending to be a Jew to write an article about anti-Semitism.
What is problematic?
Anti-Semitism was thriving at that time. Jewish people could not even have a job because of their racial identity. Dominant... -
Darby 2022-02-02 08:02:37
It's got to be more than talk.
The title is the deepest scene after watching the whole film. After the heroine and the Jewish male partner communicated in the restaurant, the heroine was enlightened. A good story is not necessarily a good movie. In the two or three years after the end of World War II, against anti-Semitism's...

Sam Jaffe
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Dolly 2022-03-26 09:01:14
In the last words of the heroine's mother in the play, there are a few lines that are like this, I suddenly hope that I can live to be very old, and can see the next century, or when the United States and Russia will not have Atomic bomb, all people can live happily together, all free people. . . It's a pity that the ten years of the new century have passed, and the number of countries with atomic bombs has not only not decreased but has continued to increase!
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Emerson 2022-02-02 08:02:37
"Gentlemen's Agreement" is based on the background of racial discrimination against Jews in American society after World War II. In order to write a series of articles on anti-Semitism, the white writer Phil Green pretends to be a Jew to experience them personally. situation and gradually change his view of the Jewish people. In 1948, the film won Best Picture, Best Director and Best Supporting Actress at the 20th Academy Awards. -Baidu Encyclopedia
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Phil Green: What makes you say that?
Bert McAnny: Oh, I don't know. You just seem like... a clever sort of guy.
Phil Green: What makes you think I wasn't a G.I.?
Bert McAnny: What? Now, Green, don't get me wrong. Why, some of my best friends are Jews.
Anne Dettrey: And some of your other best friends are Methodists, but you never bother to say that.
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Kathy Lacey: I called up my sister Jane and blurted it out, and she squealed, "Kathy!" as if she had given up any hope of anyone ever asking me. She's aching to meet you. She and her husband are giving a big party for us on Sunday. By the way, won't we have to let Jane in on it?
Phil Green: I hadn't thought so.
Kathy Lacey: But we will, won't we? Your mother knows.
Phil Green: She had to. Jane and her husband don't. If you want to keep a secret...
Kathy Lacey: But wouldn't it be sort of exaggerated with my own sister? Your sister-in-law, almost. I do think it would be inflexible of you.
Phil Green: I suppose it would be, inside the family. But they won't let anybody know, will they?
Kathy Lacey: They won't breathe it. They want to fight this awful thing just as much as you and I do.