Russell Hicks

Geovany 2022-03-26 09:01:14

It is Griffith's personal success. He uses a variety of advanced techniques, non-linear narrative, parallel montage to express the theme of love and tolerance, but the box office at that time was not good, and it may not be very good to show it now. Too esoteric movies will appear boring in the...

Clifford 2022-03-14 08:01:02

To understand a work, sometimes you need wisdom. But to see through an author's background, the author's true intentions and inner thoughts, you need more than just a little wisdom.

In fact, Griffith's party against dissent actually wants to put the hat of anti-slavery on the head of anti-slavery,...

Asa 2022-04-24 07:01:25

Finished watching it while struggling with drowsiness. . .

Dorthy 2022-03-28 09:01:13

3.5, more than half of the stars given to history. Without escaping the restrictions of the stage play, it is basically a blind patchwork of single-view lenses. One of the few close-ups, a place of real beauty. Music sucks. Basically equivalent to Eisenstein's dialectical montage. But according to Deleuze: Eisenstein's organic montage spiral of life should be presented scientifically through dialectics, not empirically (parallel montage). [Personal understanding is that the whole is only regarded as an organic combination of parts, rather than a part as a representative of the whole to design a film. In the parallel montage, there is an extraction summary, the upper and lower wings that make up the flight time, and the amplitude of the flapping (clip) is reduced as the parallel lines get closer and closer, which is a spiral. However, each flap does not reflect the entire structure. Perhaps it can be simply understood as follows: the bricks are too rough, and even if the building can be built, it is not refined enough. 】Also, scenes and montages are chaotically scheduled. It's a good idea to have a blue girl. But not organic enough. Using blue casually in broad daylight is definitely not a good choice. Too many words. Or theatrical thinking.