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Arne 2022-04-19 08:01:03
On the way to pursue a career of love, will everyone encounter eight and a half...
This is undoubtedly Fellini's most honest film about knowing oneself, truly understanding what art is, and what art makes it nihilistic or hypocritical.
The person who knows you best is the person closest to you, and the person who doesn’t know you the least is also the person closest to you. The...
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Green 2022-04-23 07:02:04
It is not difficult to say that it is not difficult to create
Whether it is realism, freehand realism or postmodern stream of consciousness, these are just the differences in the way of expression. For a creator, the most important thing is whether to be honest with yourself or not to express your heart truthfully. This is whether a work can be successful or...
Rossella Falk
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Eliza 2022-04-19 08:01:03
Fellini becomes a magician, showing, explaining, and exposing his tricks, while at the same time using them to make fun of us. From escaping from traffic jams to being pulled into a labyrinth of fickleness by the secular world, constantly and painfully shuttling between reality and dreams, using Freud to map reality and dreams, and at the same time inserting memory, life, and fantasy into the film to achieve film and life , the triple unity of dreams.
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Sadye 2022-04-23 07:02:04
The whole plot seems to be similar to the past, and it does not rule out that I have seen this movie or the story of this movie before, maybe a nursing home or something, filming or something, the first thought that came to my mind was a novel by Bruno Schultz! ? The black and white pictures and high-pitched soundtrack are very impactful, while the pictures and line narration show a sense of alienation, surrealism, deconstruction, stream of consciousness, stage play style... Integrate a unique sense of unity.
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Claudia: I don't understand. He meets a girl that can give him a new life and he pushes her away?
Guido: Because he no longer believes in it.
Claudia: Because he doesn't know how to love.
Guido: Because it isn't true that a woman can change a man.
Claudia: Because he doesn't know how to love.
Guido: And above all because I don't feel like telling another pile of lies.
Claudia: Because he doesn't know how to love.
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Writer: You see, what stands out at a first reading is the lack of a central issue or a philosophical stance. That makes the film a chain of gratuitous episodes which may even be amusing in their ambivalent realism. You wonder, what is the director really trying to do? Make us think? Scare us? That ploy betrays a basic lack of poetic inspiration.
