Robert Taicher

Marcus 2022-03-25 09:01:14

About Postmodernism - Introduction

I found two paragraphs with their characteristic descriptions, but first we have to make it clear that we are talking about a deconstructed and futuristic thing, so it must be very different from the current mainstream humanistic thinking and worldview. The...

Waylon 2022-03-21 09:02:39

When it comes to CULT movies, "Holy Mountain" cannot be avoided! This gorgeous experimental film still looks ahead of its time today!

I re-watched the film almost without taking my eyes off it, but this time I read the director's subtitles. This is the most eager, specific, and expressive...

Shakira 2022-04-22 07:01:42

Abandoning the plot and using metaphors to connect or piece together events, the fun of watching the movie first falls on the stimulation of the screen, and then focuses on the referents behind it, stitching together the director’s self-aura without direct connection, compared to Pasolini or Ferry Ni, not attached to religious stories or political events in classical literature, not a memoir of the ancient Roman capital from a private perspective, but a personal fable of myself about contemporary Nazi phenomena, religious culture, and social conditions, but the question is exactly where the boundaries of film metaphors lie. Where, how big is the capacity? When metaphors become the primary appreciation point and are pushed to the front, can they still be regarded as metaphors, or simply nested content without specific reference (or expressed by the director’s personal supervisor)? Resolutely, whether it was originally a CULT film with a gimmick, all the doubts came from the lack of a complete elaboration system. Pasolini borrowed religious stories to make images. No matter how blunt the editing, how boring the actors, the whole structure exists. Yes, Fellini also placed himself into the film as the protagonist from his own perspective, but the overall complexity of the film and the reversal of the ending completely messed up the whole frame.

Gregorio 2022-03-19 09:01:06

The pinnacle of formalism, a model of pretense, the extreme of formalism does not mean that the content is empty, but the content is overflowing with information. And now many contemporary art is not even shit in front of this film.