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Richmond 2022-09-14 20:48:48
from the new world
"You know what's the biggest crux of the 20th century, kid?" Harrison Ford's Eli asked his son Charlie (River Felix), but as before, before Charlie could answer, He has already given the answer, "I can't stand loneliness." At this time, he was taking his family to a small remote village in...
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Colten 2022-10-02 00:24:12
Utopian paranoia
The protagonist, Allie Fox, despises Japan as a great American on the one hand, and the world together with the United States on the other. A world that has the mind of a scientist but wants to abandon this science and live in groups. He ridiculed Robinson for spending a lot of effort to return to...

River Phoenix
Early Experience
Performing Experience
Personal Life
Character Evaluation
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Shany 2022-06-17 15:22:59
4.5, Fox has a bit of Herzog's character, just like Fitzcarado who tried to build an opera house in the rainforest in "Overland Boat", it represents a kind of reconstruction of the "civilized" world, the reconstruction of "America". Action and possibility, there is no doubt that "civilization" will disintegrate again, but instead of putting us in the "little climax" of adventure like Herzog, "Mosquito Shore" uses a traditional, consumption It starts with an American landscape of ideology, just like the "starting point" of most adventure genre films or road movies, and then leads from the starting point to the symmetrical structure of Regress-Construct-Deconstruct. Disappointing: Although the film shows Fox's transcendent loneliness in a sense, and the failure of priests who symbolize traditional "morality", on the other hand, until the end, it remains as a kind of deformed family film, family values and family values. Existence and patriarchal worship are lingering, and in contrast to the Nietzschean tragedy of Herzog's murder of the gods, the conciliatory silence in the last shot of Mosquito is rather ironic rather than heavy.
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Mother Fox: [in the midst of a storm] We could go downstream to Haddy's.
Allie Fox: No, dead things go down stream mother, life is upstream!
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[last lines]
Allie Fox: Nature is crooked. I wanted right angles, straight lines. You cut yourself opening a can of tuna and you die. We still going up-river mother?
Mother Fox: Yes darling.
Charlie: [narration] Once I had believed in father, and the world had seemed small, and old. Now he was gone, and I wasn't afraid to love him any more. And the world seemed limitless.