Rinko Kikuchi

Hellen 2022-01-22 08:03:12

I was often left at home by my parents since I was a child. The older I get, the more I care
about buying a pie downstairs like this with hot sauce, and the bleak moments of mung bean soup in a can
will feel that they don't actually care about me that much.

I turned out a DVD and put it aside,...

Gage 2022-04-19 09:02:47

The first half of the movie was a bit long and I couldn't help but fast-forward, but I was a little moved when I saw the back.
It was raining heavily. A boy and a girl ran after the bus. Before leaving, the boy put the sky blue umbrella on the girl's bus. Then, he waved his hands goodbye, smiling...

Cayla 2022-04-20 09:02:25

It's a very strange movie, although I like it very much, but it's still a little uncomfortable to have nightmares because of it.

Celia 2022-04-22 07:01:49

Spring gift. Two and a half hours passed by as easily as a dandelion. It is the best representative of the kind in the Palace of Shadows of the Sun: it obviously absorbs some foreign aesthetics, but is completely outside the tradition of these aesthetics, so it is free from the context and index of semiotics and methodologies, There is no precedent and no successor in all of them. What do those shots of woods and mountains mean? They are not dissolving power, let alone contemplation, but "presence", and nature gazes at us interactively, thus acquiescing, witnessing, and becoming a part of us. These silent gazes become a suggestion to a movie: K. Ishii Man is not creating anything, even on the contrary, his main job is to take away the artistic tricks that hinder "being a man." That's why those eccentric behaviors, perverted spectacles and hallucinatory encounters so beautifully set us free, no one knows what they mean, but it shows us how man and nature are cruising between each other half-open and closed. How can the same sun bring the same satisfaction to different lives.