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Taya 2022-01-31 08:01:54
"Pengdi Pond": dull and reserved
A low-budget thriller is not even a horror movie, because there are few zombies and not enough blood. The whole thing was dull, 4 people, one radio station, and several rooms. The performance lasted for an hour and a half. In fact, the first half hour was completely meaningless. It was all...
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Conner 2022-01-31 08:01:54
almost five stars
Seeing this film when the horror film market has been sluggish for a long time is simply eye-catching.
Sound has always been one of the important elements of horror films, and its status is self-evident, but it is not common to use sound as the theme of the film to build stories through him. It is...
Rachel Burns
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Bernardo 2022-03-18 09:01:09
Language is a virus, and creativity is awesome.
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Cindy 2022-03-26 09:01:13
Great, I mean great, as an extremely low-budget zombie movie, it suddenly adds depth. In the long-term stagnation of the horror film market, although this film is weak, its extremely ingenious theoretical logic makes people's eyes shine. This far-fetched is forgivable. (Forgiveness doesn't make it perfect, all aspects considered, four and a half stars) oh, baby, kill is kiss kill is kiss kill is kiss ~~~
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Laurel Ann: We have an enemy, sir.
Grant Mazzy: Laurel-Ann, we've got an enemy.
Sydney Briar: Ok, what's going on?
[Hears people repeating her]
Sydney Briar: Those are my words. Those are my words! What is going on?
Grant Mazzy: Sydney, hey Sydney, listen.
Sydney Briar: I'm scared!
Grant Mazzy: Sydney, listen, I'm scared, too.
[Notices she cut her hand]
Grant Mazzy: Hey, Laurel-Ann, we got a first aid kit?
Laurel Ann: Yeah, ok.
Grant Mazzy: Sydney, focus here. Focus and look at me. Where are your kids?
Sydney Briar: They're with him. They're in the city.
Grant Mazzy: That's 100 kilometers away. They're safe, right?
Sydney Briar: Oh, god, yeah.
Grant Mazzy: They're safe. Ok. We got work to do. I'm going back on the radio. This is a heck of a shift, Sydney. What's up first?
Sydney Briar: Obits.
Grant Mazzy: Obits, ok, but I got nothing taped.
Sydney Briar: Ok, we'll go live.
Grant Mazzy: Live! Let's go!
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Laurel Ann: [Bandaging Sydney's hand] Are you listening to this?
Sydney Briar: I'm really trying not to. I left my cell phone in the sound booth. I want to talk to the kids. When he's got them, he turns his cell phone off or doesn't pick up or - I don't know.
Laurel Ann: He's a jerk.
Sydney Briar: So, did anything, um, this crazy ever happen to you in Afghanistan?
Laurel Ann: No, sir. Leave this situation I brought back in my head.
Sydney Briar: What do you - what do you mean?
Laurel Ann: I don't really know. I'm gonna go see if Mr. Mazzy's missing. Mi-missing. Missing. Missing. Missing? As in - I mean - I mean, Mr. Mazzy. Mr. Mazzy's missing, as in, cause he's not here.
Sydney Briar: Well, honey, he's in the sound booth.
Laurel Ann: Yeah, I know, I just - I'm gonna - I'm gonna go.
[Begins imitating teakettle in trance like state]
Sydney Briar: [Perplexed by Laurel-Ann, then sees man climbing in through window] Excuse me!
Dr. Mendez: Sorry! Please, don't be alarmed! I am Dr. John Mendez. I have literally been crawling on my hands and knees throughout town, all over and, and -
[notices Laurel-Ann]
Dr. Mendez: Ok, oh. Don't - don't say anything. Ok. Oh, boy.
Sydney Briar: She just started doing this.
Dr. Mendez: Um, sorry, uh, I'm a doctor, um, we should step out.
Sydney Briar: Laurel-Ann? Laurel-Ann, honey, are you okay?
Dr. Mendez: No, no, no, no, no, no. It's terribly urgent that we keep moving. She'll follow our voices. We have to, uh - what's that?
[Points to sound booth]
Sydney Briar: It's the sound booth.
Dr. Mendez: [Snaps fingers] Lifeboat! Let's go!
Laurel Ann: [Snaps out of trance] Mr. M- M- Mr. Mendez is missing Mazzy. No, no, I'm missing Mazzy. I have to -
[gasping]
