Pietro Falcone

Arjun 2022-04-08 08:01:02

Saw Wim Wenders' epic passion project on a big screen in its 179-minute European version (not the 280-minute trilogy version), UNTIL THE END OF THE WORLD, a fin-de-siècle globe-trotter, is the ultimate road movie , traversing through four continents and a handful of countries (from France, to...

Destiney 2022-04-08 08:01:02

Wenders once said in the words of a writer in "Under the Berlin Sky": "If I give up, human beings lose the people who tell their stories. Once they lose their stories, they also lose their childhood."

Claire's indulging in this device (instrument) is actually indulging in her own past, her own...

Chelsey 2022-04-21 09:03:52

At 284 minutes, the longest movie I've seen so far. The most impressive thing is the Japanese scene. The costumes and props are very beautiful, as if they have traveled back to the ancient times of our country...

Kathryne 2022-04-09 09:01:09

4.5; The five-hour volume is majestic enough, such as the epitome of a brief history of mankind - the space dimension, going through all parts of the world until it ascends into space; the time dimension, with the original civilization originating from the land resisting the erosion of industrialization/nuclear weapons, at the expense of reality The freshness of life achieves technological development; the cultural dimension, from recording history in language to indulging in memory/dream imaging, and finally saving it for writing. Exploring the dangers of ethical forbidden areas, creating self-destructing monsters, nuclear weapons and brainwave image generation are the means of internal and external presentation. Continuing the consistent themes and expressive techniques, and reconciling various image media, such as the Japanese section such as "Looking for Ozu" and the Australian section such as "Paris in Texas", the photography is breathtakingly beautiful, especially the dream figurative generation in the second half, which is psychedelic and dizzy. Qi Ru escapes into the abyss of narcissism; the soundtrack is as good as ever. The song of doomsday anxiety, composed on the premise of the end of the century, takes the writer's narration as the cut-in perspective and runs through it, so it has the meaning of "fictional" text and has a metaphor written by God. The front and back are slightly split, and I prefer to get lost in the soul maze in the second half, even with a hint of Herzog.