Pier-Luc Funk

Kole 2022-01-23 08:07:54

I'm really a fan of Dolan. I still like this movie very much. Although Dolan did make a bit of repeating himself, it will always be self-exploration and mother-child relationship, but it will always impress me. This Duolan doesn't have too much dazzling skills. In the past, Duolan always liked to...

Sigurd 2022-04-19 09:02:54

In "Zhong Wuyan", King Qi Xuan shouted "Go away, ugly girl!"

Of course, the nature, plot, and direction of the two movies are completely irrelevant. It was purely at that moment that I thought of that movie. . .

Assunta 2022-04-22 07:01:53

It seems to be repeating itself again, but it is getting warmer and warmer. The noise is still there, but no longer sharp. The double-line perspective is very gentle and warm. Lens shifting/picture cropping/landscape capture/music mix. The seemingly business-as-usual schedule is charming enough. Emotionally less hysterical "catharsis". No shouting and hurt, more delicate warmth. His eyes and words were filled with warmth. No more words, no more expressions, no more possessions. All the repressed and thick love can only disappear after the affectionate kiss, and the love that has never been poured out will finally be exchanged for the heart that is constantly lost in the "entanglement"...

Oma 2022-04-23 07:04:31

3.5 is not about identity, but more primitive friends crossing the line. Seems to be a retrospective (a tribute?) of "I Killed My Mom" ​​and "Mummy" (feeling Mom is the mom of the former and Julien is the Steve of the latter). Scenes with multiple people talking and arguing are still out of control, but quiet passages can still rely on visuals to shape characters and build emotions. In addition, some dialogues may only be written by queer people who are addicted to the Internet. This is also something I would like to see and belong to the contemporary era. I didn't expect Dolan anymore after "It's Just the End of the World", but this one still exceeded expectations :)