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Franz 2022-09-22 00:54:40
'The Elephant' reveals the origins of violence in the extremely flat narrative
As a movie with a real case as a prototype, "The Elephant" spares no effort in both audio-visual language or script dialogue, etc., trying to record and reproduce the occurrence of a school tragedy and let people think behind the shooting. Reflects the situation of "gun violence" in American...
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Keagan 2022-09-22 08:51:30
It's a game
Although she is a girl, she usually only plays fantasy games, but she has also played CS with her friends: hit anyone with a gun, to search for and kill enemies for fun. In fact, it is not really the so-called fun. In my understanding, many people use it as a prop to vent and murder time. Even...

Phillipp Roman Ostrovsky
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Willow 2022-04-23 07:02:46
9.5, while maintaining the real time as much as possible, the use of multi-line interspersed provides dimensional possibilities for time, which greatly increases the visibility. Impressive camera movement and scheduling for the longest shot, plus bonuses for the promenade
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Bernard 2022-04-23 07:02:46
In 4.5, Gus Van Sant explained the appearance of the characters in a form similar to a silent film. The background blur and follow-up shots create POV-like simple but extremely disturbing violent impulses without using POV shots. And it forces the audience to pay attention to the narrative subject subjectively and to reduce the "vision" to the greatest extent and resort to "feeling" to perceive movement and surrounding existence, so that the narrative subject can "freely" replace and return.
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